Quotes About Scene

There was some scene in The Blues Brothers movie, when they had the chicken wire across the front of the stage, and it was almost like that. They had a big guard rail around the stage, which kept the college kids from getting on... we had some good times.

Any scene in Shakespeare can be vulgarised almost out of recognition with the wish to have a modern concept.

The camera must point at the exact spot the audience wishes to look at any given moment. To find that spot is absurdly easy: you only have to remember where you were looking at the time the scene was made.

I appreciate that I have lots of fans out there, and they want to wish me well, but I don't want that to influence how I feel throughout the day or how I act within a scene.

Walking at random through the streets, we came by chance upon the Cathedral of Notre Dame. I shall long remember my first impression of the scene within. The lofty gothic ceiling arched far above my head and through the stained windows the light came but dimly - it was all still, solemn and religious.

It was a matter of survival for the local people, but it was the most violent scene I have ever witnessed. The people in my group, feeling helpless, were all spellbound and aghast at the same time. I became a vegetarian shortly after that.

With 'River Monsters', I am the investigator: here's the crime scene, I talk to witnesses, I establish a suspects list, I narrow it down; here's the prime suspect, I go and arrest the prime suspect - who often doesn't want to come quietly.

When I was in theater school, we did these relationship exercises - you would play my sister, and I'd give you all this information about my sister, and then we'd get up and perform this scene, and you'd pretend to react as my sister. It was like therapy!

I used to write chronologically when I started, from beginning to end. Eventually I went, 'That's absurd; my heart is in this one scene, therefore I must follow it.'

I think in L.A., in terms of the music scene, it's a really strange place. It's really hard to get the feeling that something's happening, or the feeling that something can make it out of there.

I saw the industrial scene and I was affected by it. I tried to paint it all the time. I tried to paint the industrial scene as best I could. It wasn't easy.

Every scene, even the commonest, is wonderful, if only one can detach oneself, casting off all memory of use and custom and behold it, as it were, for the first time.

The principle put forth by the great French criminalist Edmund Locard—that the criminal always leaves something of himself (no matter how minute) at the scene of his crime, and always carries something of the scene away with him (again, no matter how infinitesimal)—has not changed in seventy-five years; the tools of the criminalist have simply become more sophisticated.

It's quite extraordinary how, from sheer vexation, you find yourself longing for even some passing commoner to have the sensibility to appreciate the scene, and later spread the word.

The most challenging scene for me was the spider scene, because I don't like spiders in real life. Even rubber ones I get really scared of.

It was really fun to bring that scene to life. I can't wait to see it at the premiere with the fans.

We prate of freedom; we are in deadly fear of life, as much of our own American scene betrays.

The woman whose behavior indicates that she will make a scene if she is told the truth asks to be deceived.

In how many ways have we been unfaithful to Christ, and to the light and privileges which God has entrusted to us! How refreshing, then, how unspeakably blessed, to lift our eyes above this scene of ruin, and behold One who is faithful—faithful in all things, faithful at all times.

I am looking to get into the grime rap U.K. scene.

It's rare that scenes last more than 2 or 3 minutes, so sound helps segue from one scene to another.

Rarely in film acting do you get to do a scene for very long.

My main problem with Norwegian Black Metal is that almost all the bands from 1992-1993 are made up of rats, who ratted each other out and blamed me for everything that went wrong in the scene. I really don't want to be associated with them in any way.

I was not a punk rocker, absolutely not, but I certainly knew quite a lot of them, and I definitely went to the Mab - it was raw, interesting intense scene, so I was very drawn to it, but I was a total outsider.