Quotes About Scene

I think it's great to see that there is such a connection to film music and the way people react or connect to a character or scene.

Earlier, I used to try to act, but now I just react naturally. I feel the scene and then do it. Emotions, feelings just flow in naturally.

A scene, a day of shooting, can often make you feel kind of stupid and inept because your one job is to anticipate and react and know what to go for.

Most actors work on a scene, I try to find out who the character is. So when a scene or a moment comes, I react the way she would react.

Lee Strasberg taught me different ways in which a scene can be approached so that it is perfect. Acting schools also open you up - you react differently to each scene. It makes you a very reactive person.

The realisation that, depending on where we changed from one note to the next in a melodic line, the music could subtly influence the entire meaning of a scene in so many ways was like a door opening to this amazing new world for me.

When you have good writing, the rhythm of the scene is very apparent. What the scene demands is very clear.

For the longest time, I was very conscious of the camera while doing a scene. It wouldn't seem natural. But gradually, I've become more comfortable.

A sex scene is gratuitous when it only exists for its own sake.

The great thing about first-time actors is that they listen. If you say something in a scene, they were listening to it. They weren't thinking about the return line.

When I was doing 'All in the Family,' half the time, I was looking at where the cameras were, where were the other actors in the scene, what the audience was doing.

A priest should take to heart the shameful scene of shepards filthy while the sheep are clean.

I'm sentimental about many things: the lumpy feel of a baby's unused feet, the metallic smell of the air before the first snow, the last scene in 'It's a Wonderful Life.' But Valentine's Day leaves me cold.

Whether you are new to the scene or a long-time grillmaster, everyone has unique preferences when it comes to their cooking method of choice. From propane to charcoal to wood, people take their method of grilling quite seriously, and some argue quite passionately about the pros and cons of each method.

I love 'Troy.' I love Brad Pitt's character - when he went to Troy, he just ran over it. Then this particular scene where they made this big old horse or something out of wood, and they hid inside the wood.

There isn't much of a music scene in Hermann, unless you like polka. But the landscape I grew up in is a part of me. I spent a lot of time in the woods doing a lot of nothing to break the boredom.

Woody Allen likes to do a lot of master shots. He likes to get the whole thing in one take, and so you could be going along doing a scene, and then the next to last line, all of a sudden, you stumble, and you have to go back to first base.

The script of 'Shogun' was so tight that you could not take a word out of a sentence, you could not take a sentence out of a scene, and you certainly couldn't take out a scene without putting ripples right through the back or the front of the overall story.

We did have a script, but it didn't consist of the routines and gags. It outlined the basic story idea and just a plan for us to follow. But when it came to each scene, we and the gagmen would work out ideas.

Sci-fi films are the epic films of the day because we can no longer put 10,000 extras in the scene - but we can draw thousands of aliens with computers.

I was only interested in my scene, and I had to go through thousands and thousands of other scenes. I got my scene and I read it many, many, many, many, many times. That was my research.

The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong.

So I was hugely thrilled that my first scene ever on camera was with Hal Holbrook.

Francois Truffaut's 'The Soft Skin' starts with a very mundane scene of a family and a man driving to the airport. Yet the music is like a thriller, and you don't understand why. It's not until later that you learn it's because the movie is a thriller.