Quotes About Scene

These were all middle-class kids from literary backgrounds, joining this sort of train going by, this pop train, jumping on. Whereas the rest of the rock scene, you'll find that there's mostly working-class people.

If they're working in a workshop somewhere, where there is, let's say, uh... only twenty people, or something like that, that's still, when they work and do a scene, that's still working in front of somebody.

As an actor, you tend to just look at the script till you get to your stuff.

Real novelists, those we admire, those we consider timeless in their language and character and scene, those who receive accolades for inventive language and form, have writing lives we imagine in specific ways.

When I was a kid, I was into hardcore music. The scene in New York was tiny. Every person hanging out was in a band and played at the A7 Club. There was not much rehearsing or anything. Just doing.

When you play a lead role, you're in pretty much every scene. It's incredibly tiring. You really have to disappear into the film because you have no time to do anything else. You are either awake and playing the character, or you are trying to catch up on sleep.

Television is fast and loose. You have two or three takes to get your part right, and if you have a problem, well, by the time you figure it out, everyone's moved on to the next scene. It's good training, keeps you on your toes.

One of my earliest memories, movie-related or otherwise, is of seeing a man dunking a man's head in a toilet on television, and my mom telling me that this is what would happen to me if I ever joined the Army. It wasn't until my senior year in high school that I would discover that this was a scene from 'The Great Santini,' starring Robert Duvall.

That moment is the one we still repeat here, over and over again, the ordinary, everyday wickedness of turning away. The American primal scene.

modern dances always seem to me so vulgar. So much hopping about; like a scene from a mental ward!

He found a scene very much as Yale described, although, in his more accomplished hand, the macabre details would be far more graphically rendered: rats had gnawed "wet red galleries" into the bodies of the dead, many of which "were already swollen twice or thrice life-width, their fat heads laughing with black mouth.… Of others the softer parts were fallen in. A few had burst open, and were liquescent with decay." Venturing deep into

Every time you get a script and you have a scene, you start mining out how many layers there are within it.

My worrying, for instance, was a scene in which I looked at myself while I had the sensation of being boxed in. I call that worrying, It has happened to me a number of times after that first time.

As an actor, I like as much time with the material as possible and given the opportunity, time spent with the other actors in the scene. But that is a rare luxury in working in any TV series.

I first came on the scene during the Johnson years and that crowd was out all the time enjoying themselves. Nixon wasn't particularly social but a lot of the people in his administration were.

To me, always just - that scene is, like, so convenient. They never run out of bullets in action movies, unless it's at the most dramatic time possible.

These 150-minute superhero films that Hollywood is making are so concerned with their length that each scene doesn't have the time it needs to make sense.

I didn't want to overstate anything, but at the same time, the scene expands on some of the themes in the film [ "Aquarius"].

I take the fact that films cost a lot of money very seriously, but once in a while to have somebody say, This is a big scene, take your time with it, is important. That's John Sayles.

I haven't had the time to plan returning to the scene because I haven't left it.

Now I know you'll tell me," said the lady. "The names of the first two disciples were—" "DAVID AND GOLIATH!" Let us draw the curtain of charity over the rest of the scene.

La charité nous force à tirer le rideau sur le reste de cette scène.

There is something eerie about the odd stillness that settles on the living room then . . . It is as if this scene has been impossibly fixed and will never change again.

SOME 'fools that will laugh on earth, must weep in hell' act V scene ii