Quotes About Scene

There is, of course, a world of difference between cricket and the movie business ... I suppose doing a love scene with Racquel Welch roughly corresponds to scoring a century be fore lunch.

Enough of this. Does every conversation with you have to be the director's cut? Get out of the car.

The music scene as I look at it today is a little different from when I was growing up. The percentages are roughly the same - 95 percent rubbish, 5 percent pure.

Street towards Covent Garden. There was

Lesley and I were the only coppers on the scene, and the public doesn't like it when the police start screaming: it contributes to an impression of things not being conducive to public calm.

I imagined this scene taking place simultaneously in kitchens all across suburbia, a vast performance of which the actors are unaware, directed by a mysterious force that goes by the name or misnomer of "culture

There's no real music scene in Guyana, but there's a music space. So there's no scene because there's no economy for it, but there's a space because everything that spills over dancehall and reggae, spills over.

Food as a hobby used to be an elite pastime, and it has become something that is totally ordinary for people of every background. In that way, we see the growing up of the American food scene: that it's okay to be a regular person and be really into food.

Some films, you're lucky enough to get some rehearsal, which is just basic going through the scene, and, 'These are my questions, and this is what I'm trying to achieve,' and you work things out, and maybe a few line changes here or there.

We just started filming, and after every scene was shot, we had a rehearsal for the next one.

Good actors, especially when they know their character, will come in and either tell you in advance that they have an idea, or in the middle of the rehearsal or the scene they'll let it loose and you go, 'Ah that's great.'

I learned that the best way to work is to allow the scene to live on its own before making major adjustments, whether in rehearsal or on film.

Adaptability is crucial to working on Glee because every day is adapting to something. Because we're doing a different genre of music, doing a different type of scene with a different scene partner, recording and dance rehearsals... no day is like another.

Definitely as an actor, the experience you have, at least I'm talking for me, my experience as an actor is you go to the set and know what you're going to do, know your lines, you rehearse, you do your scene, you go back home. As a producer, for the first time I saw the whole picture in a completely different way.

I don't like to rehearse, and the film-makers that I have been drawn to are interested in provoking something between people rather than nailing a scene in advance.

It was a scene in the sense that we were all close and we all knew each other before the different bands had really formed. We used to rehearse in the same place.

What's more awkward than doing a shower scene? Rehearsing a shower scene.

Rehearsing is more about blocking in the case of movies, I think, and blocking, of course, is very important to the beauty of a scene.

When you allow an animator to focus on a portion of the film and really understand the arc of the scene, what's happening with the characters, they can make choices all along the way that reinforce the main points of the scene. They really get to know what's happening.

As an actor, I wouldn't reject a scene because I felt awkward or disturbed.

It's hard to actually take details from your personal life and apply them a scene because, as much as you can identify with a feeling, you just get muddled. As soon as you start bringing your own stuff in, it's like, 'No, that's not right.' You're playing a different person. You can relate, but you have to leave that stuff at the door.

The bio girls are what kind of inspired me to get into the club scene. I related to them more - like, Dianne Brill was a huge inspiration for me.

When a regular camera focuses physically, what the regular camera is doing is adjusting the lens relative to the sensor to bring different parts of the scene into focus.

I did this scene in 'Lars and the Real Girl' where I was in a room full of old ladies who were knitting, and it was an all-day scene, so they showed me how. It was one of the most relaxing days of my life.