Quotes About Scene

Ella no se levantó para besarlo, recibió sin comprender la sonrisa que le vino desde la puerta; lo supuso alejándose lento, cegado por la luz del mediodía. Después ocupó en la cama el lugar donde había estado el hombre todo el tiempo, durante todo el breve pasado que era posible reducir a una escena.

I suggest," Colin said, raising one brow into a perfectly debonair arch, "that we flee the scene.

There's a whole apparatus for indie bands now, but back in the eighties it was just getting built. The early people really took it on the chin.

I think there's as much violence, in a way, as a scene with two women having a cup of coffee in a Ruth Rendell novel - in terms of emotional violence and the violence you can inflict with language - as there is in the most graphic kind of serial killer/slasher novel you can think of.

Doolittle was a major influence on the Seattle grunge scene, which emerged in the early 1990s.

I'm definitely one of those actresses who comes to a set knowing how I want to do a scene, and I definitely love input from my directors and my writers.

There is a deep camaraderie of insecurity between us actors. You rehash choices you've made among those who are close to you and inevitably bang your head against the wall when you finally figure out the scene... a day after you shot it!

As pop songs, the early stuff like Electricity' and Enola Gay' were such inspirations to Gwen and I, especially melodically. They inspired us to try and do our own John Hughes prom-scene movie moment kind of songs.

For some, being involved in a scene is a great thing because the social element can drive creativity. For me, though, it's never really been like that. It's the opposite. I've always had this instinct to escape.

I go by my instincts. It's whatever I feel in the scene in the moment.

Choosing location is integral to the film: in essence, another character.

I think it makes such a huge difference when the director has acting experience as well because it just means that he not only has a view of the film as a whole and the intentions of the scene in terms of the audience, he also has an actor's instinct of how to communicate something to us.

With screenplays, it's all about being as concise as possible. If you have a scene that's set in a bar, you just have to write, 'Interior: Bar.'

We always try to leave room for the actors to come in and make discoveries on set, in their interpretation of the scene. The shot list is scaffolding.

I am inspired just by the way a scene can be interpreted by the actors. It can make a huge difference on the type of music that you write. It's best for me if I don't work at all on a project until the movie is shot and I have some sort of edit in front of me.

Save the what? I call it the "Save the Cat" scene. They don't put it into movies anymore. And it's basic. It's the scene where we meet the hero and the hero does something — like saving a cat — that defines who he is and makes us, the audience, like him.

The alternative scene, for a couple years now, has been taken seriously and that's a cool thing. I don't think it's exploded or anything, but I think it's pretty cool that it still exists, it's still affecting people.

Just call me a family man and an actor who digs his whole scene, side interests and all. Just say I feel mighty good at the ripe old age of 27.

The battle-ax receptionist—she looked about fifteen years too old to play the prison matron in B-movies—watched the scene play out, the hint of a smile on her dry, lipstick-caked lips. Loren

The scene seemed somehow divorced from reality, although reality, he knew, could at times be terribly unreal.

It was the usual noontime university scene, but as I sat watching it with renewed attention, I became aware of a certain fact. In his or her own way, each person I saw before me looked happy. Whether they really were happy or just looked it, I couldn't tell. But they did look happy on this pleasant early afternoon at the end of September, and because of that I felt a kind of loneliness that was new to me, as if I were the only one here who was not truly part of the scene.

You know what I like best about porn cinemas? I couldn't begin to guess. Whenever a sex scene starts, you can hear this Gulp!' sound when everybody swallows all at once, said Midori. I love that Gulp!' It's so sweet!

Duran Duran blared from the car stereo. The woman, two silver bracelets on the hand she dangled out the window, cast a glance in my direction. I could have been a Denny's restaurant sign or a traffic signal, it would have been no different. She was your regular sort of beautiful young woman, I guess. In a TV drama, she'd be the female lead's best friend, the face that appears once in a cafe scene to say, What's the matter? You haven't been yourself lately.

When people embrace character, there's latzie. It's the stuffing of a scene that's not written. It's not in the stage direction and it's not in the words. When people embrace character, it informs their living, breathing moments in a scene so well.