Quotes About Scene

We're real people and we're a band that's been playing on the scene for a long time. We've made a lot of friends, and one enemy we've always had was the NME. They've always basically slated us and they've basically never ever written about the music.

I've played historical characters before, and I think the trap of all of them is if you try to do an impression. If that's what you're working on when you're doing a scene, then your focus is on the wrong thing.

'Hill St.' was very good, but it was very impersonal work for me. I wrote about that place as if I was a visitor. It wasn't what my life was like. It was a great place to learn the craft of how to shape a scene, but I wanted a chance to write about more personal themes and obsessions.

In the wrestling world, you had WWE, WCW, and smaller promotions that were like the independents. I look at it as craft beer being the independent beer makers. It's the indie scene.

Most wrestling fans in WWE heard about Bulgaria after I showed up on the scene.

I lived in Calgary, and a lot of old WWE, WWF and WCW guys went through Calgary - whether to train or to work on the independent scene. When I lived there, I became immersed in all of this wrestling talk and it sparked my curiosity.

Yeah, you know, if I'm having an emotional scene I do like to go off and be by myself; not to say that I'm a method actor or anything like that, but for scenes like that that are more emotional, I do like to take that night off and not be so social.

Yeah, what happened was Universal wanted one of the characters to be nice so they chose me so there was a scene where the girl was tied to the bed and I let her go.

Folk music is the heart of the Indian music scene for several years.

We meet before the movie and she gives you charts with sounds on them and makes a tape of examples. While they are setting up the scene, I go with her to the trailer and we go through the scene and correct the speech.

One day, we were doing a serious scene and fast talking like we do and we could not stop laughing and the director had to stop the production. We had to go to our trailer and calm down and do it all again.

We tend to have so many more close shots, which compels an artist to actually put in more effort than it is required otherwise. So, it is the expressions on the face, and how an actor presents his or her character, that really makes a scene. In such ways, Mollywood is a fabulous training ground for actors and actresses from other industries.

There was a little less pressure to be fit on 'The Avengers' than 'Captain America.' I had just finished 'Captain America,' so I was already built. Plus, 'Captain America' has that one scene dramatic scene where my transformation is revealed. 'The Avengers' has not one shirtless scene.

There's always the pressure on the director of how to transition from one scene to another, especially when it can really be oblique on 'Game of Thrones.'

I really think that the 'Jersey Boys' musical - and this is just my opinion - lends itself to being cinematic in some way, because it's a jukebox musical; the characters break into song only for the scene transitions.

If you understand a scene well, it is not hard to translate it onscreen.

Every other show that I'm on, they're always rushed, and you feel this pressure to hurry up and get out of the scene, but I don't feel that way on 'Transparent.' They like to linger in these scenes.

Chicago's like Melbourne - there's a city center, there's public transport, and there's more of a cultural scene.

I like a lot of ratchet, trap music. Definitely 21 Savage. We need some music like that. ManMan Savage. A lot of the Atlanta scene. But Philly, too.

There is no such thing as too ordinary to write about, whether that's life or a scene in a novel. What's interesting to people, whether it's memoir or fiction, is the truth.

We felt real strongly about supporting the local scene," Miller says. "I'm not nationalistic, but if you're in the area, you should work where you are. You have to support that which is growing around you.

And the indie rock and art scenes have a lot in common: in both, talent is one thing, but otherwise it's all about making the right connections and orchestrating one's own creations into discernible and desirable movements.

Everybody likes the idea that there's this burgeoning, happening scene somewhere in the world.

You're advertising the fact that there's a community here—it's not just this industry that's manufacturing bands, it's a happening scene where people are feeding off each other.