Quotes About Scene

They were looking for actors - real actors - who could play instruments. There was a lot of improvisation and scene work involved in addition to the music. The auditions went on for a long time.

I'm kind of irritated by the Hollywood scene.

As an actor just learning the craft, you literally do a scene with Jimmy Gandolfini, and you walk away a better actor.

My soul, sit thou a patient looker-on; Judge not the play before the play is done: Her plot has many changes; every day Speaks a new scene; the last act crowns the play.

You may have noticed that I began my story with a quick, snappy scene of danger and tension – but then quickly moved on to a more boring discussion of my childhood. Well, that's because I wanted to prove something to you: that I am not a nice person. Would a nice person begin with such an exciting scene, then make you wait almost the entire book to read about it?

My style might seem awkward, but I'm only trying to write down the things in the scene that I think the reader should know.

But James, as an artist, was deeply suspicious of what gave him pleasure, or indeed satisfaction. In his own complex sensibility, there was an ambiguity about most things, and this moved him towards subtlety when he approached character, drama, and scene, and nudged him towards many modifying subclauses when he wrote a sentence. Nothing came to him simply.

Spacious and splendid, like a stage again awaiting a drama, it was a scene she might people, by the press of her spring, either with serenities and dignities and decencies, or with terrors and shames and ruins, things as ugly as those formless fragments of her golden bowl she was trying so hard to pick up.

By the time Papa came on the scene, Georgia had regained self-government and was bound and determined to keep it, despite the best efforts of Yankee imperialists who liked nothing better than to tell other folks how to live their lives.

For the scene of suffering is a scene of joy when the suffering is past; and the silent reminiscence of hardships departed is sweeter than the presence of delight.

25, 30 years ago, that meant something, they were making some money. And they were doing all sorts of comedy, screaming at the audience, basically crowd control. And then there was the whole urban comedy scene.

I claimed identity as Jewish musicians for political reasons, because most of us were touring in Germany and, at this time, twelve years ago, there was a strong resurgence of Nazism in the places we were touring and part of that was on the music scene.

I'm a very recent convert to the gay scene. I went to a party a couple of years ago and met a very nice man who took me under his wing and started taking me out to clubs. It was a revelation.

Any time you're in front of a camera and have them yell 'Cut, re-shoot the scene,' are you kidding me? That's a huge advantage.

I just wrapped 'Eclipse' yesterday and the last scene we shot is probably my favorite thus far. I finally got to tell my story, in a very gentle yet elaborate way.

I find you can lose yourself in an acting sense in a fight far more easily than you can in a dialogue scene, and I love that about it. We try as actors all the time: we strive just to completely sort of lose ourselves in the moment, and we never quite get there, but in a fight, you can do it in seconds; that is what I love about it.

I was a child actor in 'Deliverance,' but not the banjo player. It was my dad's big movie as a director, and at the very end there's a scene where Jon Voight comes home to his wife. I played his young son.

A lot of young actors will do a scene and then run off and look at themselves. I don't believe in that at all.

What impresses me is the young actors with terrific talent arriving on the scene. They'd have blown us all away in the old days. Guys like Brad Pitt.

It is very, very difficult for a playwright to write a scene in which a young man has his first deep experience of sex with a girl whom he found immensely attractive, is fully satisfied by this event and gets up and blinds a lot of horses.

Atlanta is a very good scene for the type of music I'm making. The biggest radio stations are all trap or rap stations. All the clubs are just based around this music and just the southern sound, that's what I really love about the city.

The 'trap' sound is a sound from the city. We've always liked music with bass. We've always liked old schools with big speakers in the trunks. We like our music loud. We've always had a nightlife scene in Atlanta.

It's important to me that I don't get trapped in the whole teen scene, because I feel that you can get lost in those kind of movies, and they aren't really about the actors; they're about the selling of the concept, and how much money it makes.

When I first came to New York everybody on the scene would treat me like I could play, but I couldn't.