Quotes About Relatability

I find it very funny as well as touching that people associate me with these characters I play and form a connect with them.

There's a lot of girls out there that can relate to me. They can look at me and see themselves a little bit. There's a lot of girls out there that have a tougher side to them. I just think that people are really grown and attracted to that, and that's why people like to see me fight.

More than anything I want to get up there and hang out with the audience, make everybody feel like it's fun and they're involved and are just, like, friends hanging out in somebody's living room. I went to see Carole King on her 'Living Room' Tour, and that's the kind of feeling I'm aiming for.

I always remind myself that my audience is human. Therefore we have to be human, play human, reveal the humanness of who we are. Audiences gravitate towards that.

I want everyone to identify with my tracks and for all of us to be part of it in some way or another.

Orlando's a part of me. The next guy's a part of me. And the next guy's a part of me. That's all I'm trying to do, is tell cool stories that people can relate to.

I think we love watching people that are flawed because we're all flawed.

There is something cold about a God who cannot relate to what you and I feel.

Not everything that is easy for you is easy for the rest of us. Why don't you go away, Dionis?

It scares me. But then I get this big feeling, simple but exalted: He's like me, just with different details.

It's not that easy to find someone I can relate too. I'm tough to crack because I'm shy.

People know who I am or are fans of 'Chelsea Lately,' and that makes my shows more fun. People know I'm silly and are on board with what I'm bringing to the table. I see the boyfriends who got dragged to the show by their girlfriends, and by the end, they're laughing harder than anybody. That's the best feeling: 'I knew I was going to get you.'

When I go speak to these kids through my foundation and am able to sit down and tell them some of the things that I've been through, they can look up and relate to me, and they can understand the feelings I had that are similar to what they're going through and feeling.

It is easier to speak to those who have had similar experiences than to those who are as yet ignorant.

I feel similar to a lot of people. I don't feel unique. So what I'm trying to do in my films is provide something for people like me, but also a collection of scenes that instigate.

I try to find some similarities between myself and the characters, even if it's the tiniest thing.

I think that because I have so many different influences, and that shows in my music, that different people can connect with it.

Part of the success of the show is that the audience sees themselves in the characters, becomes the characters. The more they inhabit the characters, the more they see.

We're so used to seeing women in movies about a romance where they don't seem to have any inner fortitude. They're completely defined by their relationships, and it's hard to engage with those characters and relate to them.

Broad City's first season is full of moments that are insane... and yet make total sense.

I am insecure. If you ask me, everybody is.

My goal is just to inspire. To tell people that's going through the same thing that I went through, that there's somebody out there that knows... that can relate.

I think that the audience feels a real connection with Zoe Kazan because she's so instantly lovable.

I instantly connect to certain characters and scripts.