Quotes About Feeling

When we were doing 'Five Centimeters Per Second,' at that time, Japan was in an era when it felt nothing would ever change, so I wanted to make a movie that reflected that feeling.

So fashion for me is self-expression, it reflects how I'm feeling on a particular day.

It's not that I imitate him. I use a lot of what I feel. Even now, they refuse for me to stop doing James Brown. If it's something I can feel from the heart and from the soul, I do it.

For the regional film industry, it's a great feeling that a Dev film is being seen as a competition to a Salman movie.

I don't want to die with regrets. I like living and experiencing and feeling the whole lot.

It's always a great feeling when I have no regrets regarding an audition that I've done and I feel that way about my audition for Moe in 'Trinkets.'

I think I felt like a regular kid. Growing up in New York, I never felt I was a big deal.

To be a writer is to connect and to play and to attempt to see clearly and understand. It astounds me regularly that feeling things deeply and writing them down is basically my job description.

My feeling was that I simply didn't have the enthusiasm to do reinvention.

Lately, I've been getting too much attention with the Met Gala and work going so well that I try to find rejection in my day. I'll seek out someone on the street or at the farmers' market and ask for something where I know they'll say no. No one likes rejection, but it's real. And I don't want to lose that feeling.

It's hard to actually take details from your personal life and apply them a scene because, as much as you can identify with a feeling, you just get muddled. As soon as you start bringing your own stuff in, it's like, 'No, that's not right.' You're playing a different person. You can relate, but you have to leave that stuff at the door.

I'm pretty horrible at relationships and haven't been in many long-term ones. Leaving and moving on - returning to a familiar sense of self-reliance and autonomy - is what I know; that feeling is as comfortable and comforting as it might be for a different kind of person to stay.

I had a feeling about directing Cocoon II: The Return. At first I wasn't too interested because it was a sequel. Then I read the script and was excited by the relationships and its mystic quality.

I like songs that you can have both the physical release and an emotional release.

And my music is always such a release of what I feel inside, an impulse.

I'm grateful to play at Wembley - it is a very historical place - but it is not the same feeling as White Hart Lane.

Music is feeling. You can try to verbalize it. It really just hits you or it doesn't.

'Hatful of Hollow' and 'The Smiths' were lent to me, and they made me want to create music that might make another person feel like they made me feel - to have an effect on someone.

It's a great feeling to be captaining the Sunrisers team. It's really an honour for me, and I am looking forward to do the job.

I always say if music can't make you cry, you're a hopeless case. I don't cry very much myself, but it's my job to make you cry.

Hopelessness is a feeling. It's not a fact.

What I am is a thinking, feeling human being compelled by history.

It's a little like casting out hundreds of fishing lines into the audience. You start getting little bites, then more, then you hook a few, then more. Then you can start reeling them in and that's a loveliest feeling - the whole audience laughing with you.

It is a serious mistake to think that irrationalism opposes anything but thought to reason - whether it be the rights of the given, of the heart, of feeling, caprice or passion. In irrationalism we are concerned only with thought, only with thinking. What is opposed to reason is thought itself; what is opposed to the reasonable being is the thinker himself.