Quotes About Feeling

This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story.

I've always felt like I was a college coach and I was a college coach for Syracuse. It just felt like the right thing.

And at NYU, I went to the Atlantic Theater Company, and they have two main points. One of them is to always be active in something instead of just feeling it. And the other is figuring out your character.

I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.

People prefer doing films. That is not the case with me. I don't do theatre because I have to but because it makes me feel alive. I enjoy the whole process of rehearsing, though repetition can make it tedious.

I'm not interested in how people move, but what moves them.

Most of my albums have a concept. They all have some kind of theme, some kind of feeling. I really take pride in that.

Claustrophobia is a theme that I feel is really rife in 'Sound of my Voice' and struggling to come up for air from that feeling.

You've got to think as a listener when you're making a playlist. So I think 'When do I go to certain playlists, what are the moods I'm looking for?' Theme is crucial. People have a feeling and they want the music to be the backdrop to that feeling.

My main theme as a songwriter seems to be a feeling of homelessness, of being in motion. The feeling of being somehow unmoored, a radical internal freedom that is very painful and also joyful.

I'm a melody guy. To me, that's a musical souvenir people take from a movie. They remember a theme or a feeling, and if they've had a good or bad experience it evokes that sensation whenever they hear it again.

It is easier to act yourself way into a better way of feeling, than to feel yourself into a better way of action.O. H. Mowrer

When inward life dries up, when feeling decreases and apathy increases, when one cannot affect or even genuinely touch another person, violence flares up as a daimonic necessity for contact, a mad drive forcing touch in the most direct way possible.

Apathy and lack of feeling are also defenses against anxiety. When a person continually faces dangers he is powerless to overcome, his final line of defense is at last to avoid even feeling the dangers.

Sometimes I have the feeling that we live in a dubbed movie and everybody moves their lips but the voices don't correspond. We are all post-synchronized and sometimes is very accomplished and looks natural.

This was how it was with travel: one city gives you gifts, another robs you. One gives you the heart's affections, the other destroys your soul. Cities and countries are as alive, as feeling, as fickle and uncertain as people. Their degrees of love and devotion are as varying as with any human relation. Just as one is good, another is bad.

I shouted for no reason other than trying to shout out a bad feeling I had. A certain kind of lonely feeling. A feeling that embarrassed me

Sade never got into the habit of concerning himself with what other people were thinking and feeling. As with Genet, the soil in which perversion grew was habitual solitude and constant frustration of the need to feel loved.

why, it beats so i can love you.

A MAN FINDS happiness so fleetingly, like the petals melting off a prairie rose. Even as you touch that feeling it dries up, leaving only the dust of that emotion, a powder of hope.

At first she didn't listen to it and then she heard what she was feeling. She said it several times to hear it better.

This instinctive repulsion which tradespeople inspire in men of sensitive feeling is one of the very rare consolations for being so impoverished which are given to those of us who don't sell anything to anybody.

Johanna: What's it feel like when you dive? Jacques: It's a feeling of slipping without falling. The hardest thing is when you're at the bottom. Johanna: Why? Jacques: 'Cause you have to find a good reason to come back up... and I have a hard time finding one.

You're not eating anything, said Marilla sharply, eying her as if it were a serious shortcoming. Anne sighed. I can't. I'm in the depths of despair. Can you eat when you are in the depths of despair? I've never been in the depths of despair, so I can't say, responded Marilla. Weren't you? Well, did you ever try to IMAGINE you were in the depths of despair? No, I didn't. Then I don't think you can understand what it's like. It's very uncomfortable a feeling indeed.