Quotes About Script

Consciously picking the right script after a long period of wait helped me grab a perfect film in the rom-com genre.

The most frustrating thing is picking up a script and loving the roles in it except the female ones... It's really annoying and something I've striven to change in the industry.

I don't want to know what happens because I enjoy picking up a script and going, 'I do what?!'

It's important to read as much as you can because you never know when you will find the best script that you want to do next. I'm always quite picky in what I read and what I go for.

If a script comes together, and you end up liking the people who are part of it, that's when you can make magic happen. It's a huge combination of trying to find something you think you can deliver on and a director you think you can collaborate with to make a good picture.

I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.

As an actor, you really want to respect and honor the script. You want to try to be in the moment and you also realize that you're one part of a bigger picture and when they call action, you have your dance.

First, you do a piece of material that begins and ends and has a flow; it's not chopped up as in a film, where in an extreme case you might be doing the last scene of the script the first day that you go to work, and you don't know enough about the character you're playing.

I'll look at the script and I'll try to find as many books, movies, and pieces of music that I think are going to feed each scene or the character as a whole.

Just in terms of when I got the script, the character I probably liked the least was Big Foster. Because even though he was central to the story and to that world, he was really written to be kind of a brute, a pig, a completely black-and-white bad guy.

After 'Radio Flyer,' to this day, every family-oriented script or script with kid actors comes across my desk. That's just Hollywood: you get pigeonholed, and it's both a blessing and a curse, but you live with it.

If I get a script that's set in the jungle it goes to the bottom of the pile because I don't think the playgrounds are going to be very good there! I'm really aware of how lucky I am but I have the kind of job where I can bring my child to work.

Whenever I pick a script, I make sure I'm choosing something I would want to watch. And 'Quantico' was something I'd definitely want to watch. As soon as I read the pilot - and I read 26 this season - I knew this was it.

The script that I fell in love with and adored was 'Jane the Virgin'... but every line in the pilot was essentially, 'Why did you keep my daughter a secret all of these years?' I didn't know any direction my character was going - was it going to be a dramatic character, a comedic character? - I didn't know.

When I was first told about 'Game of Thrones,' I didn't know the books, anything. So I read the pilot, and when I got the first script, it was clear the story was about these people and families and a constant battle for power.

For 'Orphan Black,' all I got was the pilot script, and that was enough for me. I was daydreaming about this part. I kept thinking about how certain scenes were going to play out and how these interactions were going to take place.

For 'Breaking Bad,' it was like, that's one of the best pilots, probably the best pilot I have ever read.

These things are hard to pin down. We work on a script a bit, then work on a different one.

It is really difficult to read a movie script about yourself and to think that a major actor - perhaps even Chris Pine - is going to play this role is really daunting.

I'm a sucker for a funny script. And then, as soon as I don't wanna be, one comes along and grabs me.

The script, I always believe, is the foundation of everything. And if you don't connect to that foundation, if you don't believe in that and feel that you wanna spend three, four months of your life exploring it, then all of the other elements are secondary.

After 'Divergent,' I got a job rewriting a sci-fi script at Paramount. I think they really liked what I did, so I got a call saying, 'We're about to shoot 'Ninja Turtles' in three or four months; do you wanna come in and do a little work on the script?' That was the beginning of a many-month 'Ninja Turtle' odyssey.

Dhobi Ghat' is the only script I actually completed and that I was convinced about wanting to direct.

There's a building kit for simple games. But more advanced users can program complex things with our script capabilities, which is built on Lua - the same language used in World of Warcraft.