Quotes About Script

I miss that process of getting the script and reading it and working on it. Every actor has their own way of memorizing their lines, and the whole process of starting to work with the other actors and the director, and doing rehearsals, and going to the location, and going through wardrobe.

'Warm Bodies' was a more long-term thing; I had to write the script, who knew if it was every really going to happen, if I'd find the right actors, and so on, so I grabbed '50/50' because I just fell in love with it.

The thing I noticed about Jack was when we did a reading of the script, just to warm up.

I turned in a script that meant a lot to me and an executive at Warner Bros said he was disappointed in me. I took a hit of confidence and stepped away from film-making for some time.

I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios.

I'd always intended to make 'Far North' straight after 'The Warrior.' We had the rights to the short story, the script was in development, and I knew where I wanted to shoot it. It just took a long time getting the script together and raising the finance.

My sister and I said, Dad, are you doing to do anything about that? And he mentioned treatments other people sent him that he'd been working on. So we thought it would be kind of cool to give these guys a real script.

Caste taboos had been broken, and a measure of equality introduced. But they had also become a distinct community, which for writing used a new script called

Unglee' has a big heart and it is in the right place. It is very different script. It is not all candy floss.

I listened to the script of 'Carbon' at the end of 2014. I liked it the moment I heard it. I wanted to do it.

Yes, I am aware that I have become a caricature. I've thought about this. Conceptually, what I'd like to do is the equivalent of writing myself out of the script.

Dhanam' is one of the interesting scripts that I came across. It centers around me.

Certain things are very important for me while saying 'yes' to a script. One is obviously the role and its importance to the film. When I say this, I don't mean the length. And last but not the least - the director.

I like challenges. That's why if I read a script, and I feel, 'Oh, I can't do this,' I'll take that role, because if I feel like, 'Oh, I can do this,' I don't want to take that because I can't learn from that film.

The way I choose parts is I look at the scripts... I choose a part by whether or not it challenges me.

I'm looking for challenges, and as always, what matters is the script, the character and the director.

I really enjoy playing a challenging role.

I think it's always challenging to look at a script and make it your own while maintaining the sense of what the style of the show is.

I don't dream about the perfect script, though I check my mailbox every morning.

At the end of the day, my bread and butter comes from films, so I have to work in films that may not have a great script, but give me a fat pay cheque.

I always believe an actor is as good as the content as he gets or chooses.

I have more control of the material if I produce. I can be much more active in choosing the writer, shaping the script, casting and editing the film.

It's not a matter of being choosy as an actor but a matter of liking the right script.

I could use a Chris Matthews-level speech writer to script everything I say. That would be good.