Quotes About Script

The core plot of 'Mercury' is so gripping that when I thought of making it as a silent film, it only made it more interesting. Once I finished writing the first draft, making a silent film that's both thrilling and engaging seemed possible. When the film team read the final script, they felt the same.

When you're in a movie with Will Ferrell, well, it's time to at least sometimes throw the script away. And that character in 'Talladega Nights' I found a lot easier to kind of riff with because I related to it more, those kind of Southern, almost rednecky guys. That's a culture that I'm familiar with, that makes sense for me to spew.

Figuring out what made 'American Psycho' tick, it was such a fun script to work on, especially when we got an audience. Everything about it was so dark and yet ABSURD. I played Evelyn, and balancing what made her real and ridiculous was incredibly rewarding.

For years, I was often afraid to speak up when I didn't fully understand a script. I'd tie myself in knots.

Every year, I go to Suriya's house to tie Rakhi on Raksha Bandhan. On one such day, he asked me if I have a script in hand and that's when I gave him the half-completed script of 'Soorarai Pottru.'

As an actor, you're tied to the writing. You live and die by what's written for you. And you can elevate that to a certain extent, but really, that's your blueprint.

The script for 'Thirteen' is tight, and not because of the now-famous six day writing spree, but more because it started out as 15 pages longer.

I play Harsh Vardhan, a good cop. 'Baaz' is a thriller, in which you doubt every character. I loved the script, as it is very tight and exciting.

But I have a list of books that I want to read before I die, and whenever I get time to read something that isn't a script, I'll read something from that.

As far as I know, if you take your time, write a good script and make a good film, then give the audience time, they will accept it.

I would say 95% of the time, because you just can't remember your lines if you're drinking alcohol. I would say about 95% of the time it was grape juice or this fake wine, which was horrible.

Every film I try and make it the way I see it in my head, and it really just depends on the script and the people I'm working with or whatever interests me at that particular time.

Everything you do on set is directly related to your imagination when you read the script for the first time.

Sometimes when it comes to the iconic kind of moments, when I read the script for the first time, you get little goose bumps or something because it really is kind of exciting.

When you read a script, you don't want to be the same guy all the time, you want to change, you're a different person. That's why acting is a wonderful career. You're not the same guy all the time.

its like you said? i lead my people- forth! zifnab carried on enthusiastically! out of eygpt! out of bondage! across the desert! pillar of fire- desert? lenthan looked anxious again. fire? i thought we were going to the stars! sorry. wrong script zifnab said

Accept that God has given each of us a magnificent role to play on Earth merely because we're human; that we were born with a perfect script etched on our hearts; that its not to our personal credit, but to His greater glory, that each of us is brilliant-such are the truths that free us from the ego's lies.

notes he made in his mirror-image script—a curious response to being left-handed.

Now, before you make a movie, you have to have a script, and before you have a script, you have to have a story; though some avant-garde directors have tried to dispense with the latter item, you'll find their work only at art theaters.

The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of [2006].

Ve starém nÄ›meckém písmu, které se hodí snad leda k zápisu zaklínadel, vypadalo hranaté b jako h, stÃ…â"¢ední Evropa tedy pro tón nad A používá písmeno H.

O comportamento humano nos contextos das redes operacionais frequentemente se assemelha a um ato dramático — se adéqua a um roteiro produzido para satisfazer as demandas de um enredo.

Ya kendi senaryonuzu yazars?n?z veya bir baÅŸkas?n?n senaryosundan size biçilen rolü oynars?n?z.

I decided to give acting a serious, committed try, and soon after, I read the script for 'Lovely and Amazing.' The story was beautiful and honest, and the characters struggled with the same insecurities many women - including me - face. I didn't think I had a chance in hell of being in the film, but I knew I had to go for it.