Quotes About Script

I first started removing the 'she,' 'her,' and 'hers' pronouns from my online material. I was just using my name in place of a pronoun, and that felt really good. Then I read the script for 'Billions' and did a little more research into non-binary, and it just really clicked for me.

I am happy that a script like 'Meri Awaaz Hi Pehchaan Hai' is character-driven and has a lot of freshness to it.

Making a movie like 'Felony' is hard work because you're really putting your own ideas on the screen. You can't hide behind some other person's script; you're saying, 'This is my brain, and I want you to know what I think'.'

I went to drama school so I had quite a regimented classical training, regimented process of analyzing a script. I'll go through the whole script and highlight everything my character says about me, and in another color I'll highlight what other characters say about me, and I'll highlight all the things I say about other characters.

Every script I've read for 'Black Jesus' has been hilarious.

George Roy Hill, Redford, and I have been looking for a script to do together for 13 years. We haven't been able to find one that we liked enough for the three of us to be in it together.

I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.

I've always been in school plays and performing monologues and taking drama. Now I'm in acting classes. I do it the real way. I want to be a working actor. I would love that. I just like being on a series and having a script, and I want that to be my nine-to-five.

As an actor, you tend to just look at the script till you get to your stuff.

I never approach an actor till I have finished the script.

To perform on stage, you have to run through your paces till you are perfect. Despite the script and director, the actor makes or breaks the play.

Till the age of 40, actors are pleasing others, but after that is the time to command characters and ask for what we want from script writers.

I used to watch 'EastEnders' till the plots got ridiculous.

Krishna Chaitayna came with a script titled 'Powerpeta,' and in this film I am playing the most challenging role of my career till date.

What Tim does is, he calls me and sends me the script. And then he sends me a drawing, an illustration of his image of me as the character. It's so great.

A lot of things matter in comedy - the script, the lines, your timing, the co-actor's timing, how it's shot.

I was in an acting class taught by Eric Morris, and Jack Nicholson was in the class. He wrote the script for 'Head', so all of us in the class got little tiny parts in the movie.

Working on 'Jekyll' required a lot of concentration and energy. The script is written in a very filmic way most of the time; unusually for television there are a lot of descriptive pages, tiny little fragmented scenes with no dialogue but huge energy.

I rehearse my script with my co-actors and take their tips quite seriously.

In Hollywood, 'under development' means 'all I have is the title.'

When Raj and DK came and narrated me the script, the title was something else. But in conversation, I told them if we can name it 'Stree'. In a way, I was the one who decided the title. I found that one word very catchy.

You first and foremost need to be honest with the script because you don't want to do anything to screw up the basic fundamentals of the story. You don't want to create anything overly dramatic when you don't need to, and you don't want to create anything less dramatic than necessary, either.

I'm not really comfortable with who I am to be honest. I feel more free to step into the shoes of somebody else. There's always an element of me in there but, you know, if you give me a script and some clothes I can do anything. But, as Ryan, I'm a bit of a recluse.

To be honest I don't watch the show, I don't watch any TV, so I have no idea what the show is about. I go to Hawaii, shot my scenes and script and 'Ciao.' I'm not a 'Lost' fanatic and it's a disappointment for thousands people and friends that are dying to know what will happen. They know more than me.