Quotes About Street

Growing up, I'd never play goalie in street hockey or at shinny. I liked playing out. So the entire time I played goal, I liked handling the puck better than most.

It was at a gym near Liverpool Street. I came off the street - I was just a kid - and I was just excited about getting to punch someone in the face.

Nothing is more linear than a street; nothing has a more fixed beginning, middle, and end.

We have such a loyal following in London that we decided to open a shop, and I find Albemarle Street extremely charming and special.

Fame, for me, is different. Fame, for me, is not seeing myself on big billboards: it is when I go on a street and people connect to me. If I going to walk on the street, I know I can get 100,000 people following me.

Nothing beats the food of Delhi.

Back when I was growing up, I always had one foot in the street and one foot in music.

I'm from Chicago, so you know we come from juking and footwork.

We were taught fortitude by our parents, who had gone through the war. Being a child then was fun. We could go out and play in the street - there were few cars - and we felt very safe.

I've been in many street fights. I fought street fights for my friends to protect them.

No matter which sex I went to bed with, I never smoked on the street

often thought that you had just the kind of commonplace gifts that a host of commonplace people want to find at their service. An old servant of mine who lives in Mortimer Street

That's what cousin Mark says. We are going to send the twins to the kindergarten next month." "What's the kindergarten?" "Oh, they teach them to make things out of straw and toothpicks—kind of a play place to keep them off the street." "There's one up on Sacramento Street, not far from Polk Street. I saw the sign.

Somebody's willingness to let me photograph them, and willingness to tell me a story, has nothing to do with the words I say. It all has to do with the energy I'm giving off, which hopefully is very genuine, very interested energy. It's just two people having a conversation in the street. I think that's where genuine content comes from.

I think we all have our own personality, unique and distinctive, and at the same time, I think that our own unique and distinctive personality blends with the wind, with the footsteps in the street, with the noises around the corner, and with the silence of memory, which is the great producer of ghosts.

Jada, Styles P, the LOX, period. You throw on one of their joints... I'm in the whip; I try to keep my cool in the whip. I don't like bouncing around, getting my crazy on, but it's certain joints you gotta wild out. Roll the window down, blast the joints, let it be heard. That's one of them groups that bang it out.

I had to find a way to get off the streets because it was too windy. So I started organizing variety shows of street performers. I would rent a hall, cafe or bar so I could put on a show. I did that for years before the 'Tonight Show With Johnny Carson' heard about this odd thing I did with bubbles.

I want to give haute couture a kind of wink, a sense of humour - to introduce the whole sense of freedom one sees in the street into high fashion; to give couture the same provocative and arrogant look as punk - but, of course, with luxury and dignity and style.

The original text of New York is all below Chambers Street.

Street stalls, be they in Korea, Thailand or anywhere else in Asia, in a covered market or simply on a street corner with a few brightly coloured plastic stools and tables, are my favourite places in the world to eat.

If it's a competition for which country has the best street food culture, you could do worse than back Thailand.

As a street hustler, you've got to be smarter than everybody. You have to outsmart the police, you have to outsmart the people in competition with you, you have to outsmart all the opposition.

I'm just shocked and thankful that I've gotten away with everything - experimenting here, trying at this, failing at that, being good in some things, not so good in others. It's kind of amazing that people are still sticking by me. When they come up to me in the street, I just want to write them all cheques.

They all come from the street - tap, jazz and flamenco. And the streets are always changing. If it comes from the streets, change is the only thing that's consistent.