Quotes from Charlie Kaufman

Directing is a more pragmatic experience, where you have to deal with the restrictions of time and money that force you to make certain decisions you don't have to make when you're writing.

You are what you love. Not what loves you.

We try to organize the world, which isn't organized the way our brains want to organize it. We tell stories about the people in our lives, we project ideas onto them. We project relationships with people, we make our lives into stories. I don't think we can avoid doing that.

As a writer, or as a filmmaker, you have to present yourself, and part of what yourself is is what you're interested in, or what you think is funny, or what you think is sad, or what you think is horrible.

Why do I fall in love with every woman I see that shows me the least bit of attention?

It occurred to me that every work of art is a synecdoche, there's no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can't think of an exception to that.

I want to try it to see what it's like and see what my stuff looks like when I take it from inception to completion.

When I'm writing, I'm trying to immerse myself in the chaos of an emotional experience, rather than separate myself from it and look back at it from a distance with clarity and tell it as a story. Because that's how life is lived, you know?

I feel like I want to keep moving toward idiosyncracy. Personal, personal, personal.

I do have, at different times, a certain kind of self-consciousness in the world, an insecurity.

Everything I've written is personal - it's the only way I know how to write.

I'm interested in trying to explore what I think is the truth at a given time in my life, and part of the process of being honest is - in my mind - talking about the idea that you're watching a movie. You're sitting here watching a movie. And I like that. It appeals to me intellectually, and also in a way I can't even explain.

I want to create situations that give people something to think about.

The only honest and generous thing for me to do is to give people myself. That's all I've got as an artist, so I want to do that in an unflinching way.

The passionate ones, the ones who go after what they want, may not get what they want, but they remain vital, in touch with themselves, and when they lie on their deathbeds, they have few regrets.

I love working with actors. I love visual things. I always intended to be a writer who directs and a director who writes.

I think of myself as a guy who tries to write screenplays and now has tried to direct one. Anything more than that is meaningless and it gets in the way of being a real human being.

I'm old enough, by a long shot, to remember going to the library and spending days researching. If I was looking for a line from a poem or something else I needed, that would be the trip I would have to take.

I often have a theme in mind when I'm starting. I know that I want everything to be in a world of, say, evolution, or guilt.

I really don't have any solutions and I don't like movies that do.

I'm trying to tell a story and do it truthfully.

Writing is a journey into the unknown. Say who you are, really say it in your life and in your work. Tell someone out there who is lost, someone not yet born, someone who won't be born for 500 years. Your writing will be a record of your time. It can't help but be that. But more importantly, if you're honest about who you are, you'll help that person be less lonely in their world because that person will recognise him or herself in you and that will give them hope.

John Laroche: You know why I like plants? Susan Orlean: Nuh uh. John Laroche: Because they're so mutable. Adaptation is a profound process. Means you figure out how to thrive in the world. Susan Orlean: [pause] Yeah but it's easier for plants. I mean they have no memory. They just move on to whatever's next. With a person though, adapting almost shameful. It's like running away.

I know that as a very young child, I was afraid of death. Many children become aware of the notion of death early and it can be a very troubling thing. We're all in this continuum: I'm this age now, and if I live long enough I'll be that age. I was 20 once, I was 10, I was 4. People who are 20 now will be 50 one day. They don't know that! They know it in the abstract, but they don't know it. I'd like them to know it, because I think it gives you compassion.