Quotes About Cinematic

Tim Burton is underrated. I loved Big Fish, loved that movie, think it's the best movie of the year, hands down. Really impressed with that.

'The Blacklist' was really right place, right time. I read the script and met with Jon Bokenkamp, John Eisendrath, John Fox and John Davis, and we just hit it off. They understood that I was not so much trying to adapt to television, but adapt a cinematic style to the things that we were gonna do.

'Underworld' was my first filmed book. I think there are about seven of my lines in it.

I thought labs were such cinematic, spooky spaces.

The spy genre is something which, as a fan of movies, a movie geek myself, I just love that cinematic joy that they bring.

The format of Netflix was the dream for us. It allowed us to make cinematic, longer episodes without interruption.

You get films like 'Baahubali' once in your life. And Amrendra Bahubali is a character that I can never forget.

I would love it if the whole 'Godzilla' franchise was revitalized for a new generation.

The woman I'd want to meet the most is Nicole Holofcener. I've loved every single film she's done. I think her films are deeply comedic while being deeply disturbing and dark.

It doesn't happen every day, but many nights my dreams are like a movie. I don't see normal movement - I see things in very complicated shots. That's why I do remember many of them.

It's been noted that one of the keys to Alfred Hitchcock's success as a filmmaker was that he didn't draw characters as much as he drew character types; this is how he normalized the cinematic experience.

The amazing thing about cross-country is that they don't run indoors - I could put them in extraordinary environments. And it's kind of uniquely cinematic in that way, to be able to commit to the screen some things that people don't get to see too often.

'The Infinity War' is meant to be a culmination film. It's meant to join together all of the Marvel Cinematic Universe against an incredible universal threat - Thanos.

It was a dream come true to work alongside an all-Asian cast, telling a beautiful and powerful story in the Marvel Cinematic Universe.

'Interstellar' may never equal the blast of scientific speculation and cinematic revelation that was Stanley Kubrick's '2001: A Space Odyssey,' but its un-Earthly vistas are spectral and spectacular.

In my early career as a documentarian, I suppose I was trying to make films which - where it was all about making a big cinematic statement, and I think with 'Marley,' I slightly changed my direction and adopted a more mellow approach.

My relationship with 'Star Wars' is that I'm old enough that I saw it when it first came out - 'A New Hope,' that is - and it was like when Dorothy steps out of black and white into Technicolor. I was transported from a gray, miserable 1970s London into a different galaxy, and I didn't know what it was, but I wanted to be a part of it.

I never felt it wasn't mine. But I was also very respectful of not knowing what I didn't know. Because the Marvel Cinematic Universe is very deep, and unless you live in it you can't possibly know it all.

If you notice in my own films the blending of songs is distinct. They narrate stories and scenes.

Television, nowadays, is like doing really long films.

A burning map. Every epic, my friend Jack used to say, should start with a burning map. Like in the movies. Fucking flames burning the world away; that's the best thing about all those old films, he said -- when you see this old parchment map just ... getting darker and darker in the centre, crisping, crinkling until suddenly it just ... fwoom.

A burning map. Every epic, my friend Jack used to say, should start with a burning map. Like in the movies. Fucking flames burning the world away; that's the best thing about all those old movies, he said - when you see this old parchment map just… getting darker and darker in the centre, crisping, crinkling until suddenly it just… fwoom

It seems quite unlikely that I'll make a masala film.

I'm developing some high-frame-rate 3-D processes that are going to be, I hope, indistiguishable from reality. This will be quite an unusual cinematic event - you don't just tell an ordinary story, it's more of a first-person experience where the melodrama doesn't get in the way. Being inside the movie rather than looking at the movie.