Quotes About Cinematic

Classical scores go up and down; they're kind of hysterical in a way. And movie scores are much more - they just drive and move forward, and they build and can't go up and down at that same speed. It's a big job to turn that into something that pushes the movie along.

I like anything that is melodic, and I'm a very big fan of movie soundtracks, so my favorite artists/producers would be Steve Jablonsky, Hans Zimmer, K-391, Ahrix, KSHMR, and many, many more.

Usually, when I'm rappin', I'm creating a big story or a concept song that sounds like a movie to me.

I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move!

I even knew some of the dialogue but it was definitely cool to look at. We always argue that the movies should be loyal but in this case I could argue that it might have been too loyal.

A lot of cinematic influences on 'Descender' - Kubrick for sure. '2001: A Space Odyssey' is my favorite movie. It has been since I was 12. I just love that film.

There is no other way to break the frozen cinematic conventions than through a complete derangement of the official cinematic senses.

Sometimes when you have a song, you listen to it and say, 'It's OK. It's music to drive to.' But then there are songs where you can actually hear it as a movie.

After doing 'Life After Beth,' which I think had one line that wasn't scripted, everything was scripted so that it sounds natural, and I went to such great lengths to create dialogue and to come across the way that people wouldn't sound like they were on the nose.

'The Blue Dragon' uses very filmic language and involves a lot of technology. It is more cinematic than theatrical and was inspired by comic strips and graphic novels.

There's something about using the cinematic device as a tool to connect with dimensions of the world that you don't know too well, you're not too familiar with. It's like a creating a bridge, or a spaceship to travel to the unknown.

'Sweet Valley High' is fantastic, fabulous, a little bit campy, and - dare I say it - cinematic.

There's something about a roller coaster that triggers strong feelings, maybe because most of us associate them with childhood. They're inherently cinematic; the very shape of a coaster, all hills and valleys and sickening helices, evokes a human emotional response.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

I really liked 'Nightmare on Elm Street,' 'Halloween,' and 'Scream.'

I was an altar boy, with a very strict father. And movies were always my escape.

I guess a lot of comic-book adaptations strive for realism. Christopher Nolan is making Batman seem very real and very serious.

We're always striving to make Avatar look like a cinematic, live-action movie.

Something impacts me emotionally, art is a kind of outlet, and I figure it's the same for a lot of artists. The way my mind deals with things is cinematic.

PRIOR (An awestruck whisper): God almighty. Very Steven Spielberg.

Screenwriting is the most prized of all the cinematic arts. Actually, it isn't, but it should be.

I began to exercise a lot of cinematic muscle with the precepts I had learned in the New York art world. Film was intriguing. I began to think of art as elitist, whereas film was not.

I didn't start publishing literary texts until I had left Iraq. At the Academy [of Cinematic Arts] I was busy with short films.

Some stories, some visions, demand celluloid film and what it can deliver.