Quotes About Visual

I think that when you've got a world in which it's plausible to have a guy dressed as a giant bat and fight evil clowns and other nightmarish freaks, I think the world has to be visually a little more arresting than a regular world.

I do like horror films, but I wouldn't ever be interested in putting a horror on stage - blood doesn't equal horror.

If you make horror movies, you always have to think what's photogenic and what's not.

A field of scarlet with nine hanged men in black and six yellow daggers in the upper left and lower right quadrants, respectively, while the upper right quandrant featured a shattered skull and the lower left boasted a bird astride a severed head. It might have been a raven. Or an eagle.

Decía ver las escenas que contaba como a través del ojo móvil de una cámara. Y la cámara seguía a los personajes, captaba rasgos y detalles significativos, iluminados o en penumbra, en primer plano o como figuras al fondo de la escena, entre la luz, el claroscuro y lo negro.

Photography can be a way into worlds and memories that words sometimes fail to convey.

Being a cinematographer taught me a lot. I got to expedite the visions of many directors and learned how to navigate many styles and worlds.

The way I sort of approach my work is that the historical and socioeconomic and cultural worlds that the music is exploring dictate the visual experience and the way that we approach it specifically on film.

I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at.

When you're on camera, even though you try to lose yourself in the character, you are aware that there is a camera there capturing every moment of it visually. With doing a voiceover job, you are worried about the sound of it, and you have to make all those visual colors come out with your sound.

We found a way to make things look great to the human eye through the window of a graphical web browser without worrying about what everything looked like under the hood.

As children, as we learn what things are, we are slowly learning to dismiss them visually. As adults, entirely submerged in words and concepts, we spend almost all of our time thinking and worrying about the past and the future, hardly ever looking at or engaging with the world visually.

In the matter of furnishing, I find a certain absence of ugliness far worse than ugliness.

A picture is worth 10K words - but only those to describe the picture. Hardly any sets of 10K words can be adequately described with pictures.

If you can have a great story that people can follow the mystery and get the suspense, and then you have those moments of tension and a splash of visual fun, then you kind of get everything. You get your money's worth.

I think a truly fantastic video is worth it. We spend so much time on the music, it only makes sense to have a really well-done visual translation of that music.

Sir Rosevelt is a little more of a persona, and we dress up, three-piece Tom Ford suits, and it's a little more refined, visually.

The two things that hit you when you meet someone are, first, how they're visually put together and then, what they tell you with the tone of their voice - whether or not they're to be taken seriously.

With a standard editorial cartoon, you're taking tons of information and synthesizing it down to a single bite - a single moment in time. With animated editorial cartoons, it's more storytelling.

My graphic design skills are superior to a lot of other things I can do; I use it as a part of my tool kit.

In academia in general, there's this push toward using comics as an educational tool.

Well I think effects are tools.

In the case of 'Sweet Tooth,' and in the case of a lot of stuff I do, it all starts with the image. It may be something I sketch in my sketchbooks - something that reoccurs in the sketchbooks. Eventually, a character or story line starts to grow out of that.

Shooting the 'Torn' music video was a dream come true.