Quotes About Visual

Too-subtle visual cues are actually a very common problem. Designers love subtle cues, because subtlety is one of the traits of sophisticated design. But Web users are generally in such a hurry that they routinely miss subtle cues.

Pages with a clear visual hierarchy have three traits: The more important something is, the more prominent it is. The most important elements are either larger, bolder, in a distinctive color, set off by more white space, or nearer the top of the page—or some combination of the above.

Humans had proven to be unusually good at learning to recognize visual patterns; we internalize our alphabets so well we don't even have to think about reading once we've learned how to do it.

freshmen. Even among English speakers, then, geocentric terms may be used when the terrain offers a conspicuous visual frame of reference

When we gaze at the world, we do not fathom the many layers of apparatus that underlie our unified visual experience, until neurological disease dissects them for us.

I love being manipulated by what I see. I love weepies and romantic comedies where you're reaching for the Kleenex at the right moment.

I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.

I love looking at famous people. Because of the way they look. Because of the way photography makes them look famous.

I love taking pictures of food.

I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.

I don t think cartoons are only for kids, but I think kids will love anything as long as it's visually interesting.

He was watching Violet. Her fur had the rich darkness of storm clouds. Her long tail was thick and sleek. Her ears were wide and soft, framing her pretty face perfectly

The first virtue of a painting is to be a feast for the eyes.

Slowly poetry becomes visual because it paints images, but it is also musical: it unites two arts into one.

Actually, the camera was never overhead at any time. It was always a side view of me. Subsequently, after the picture was released, I saw some scenes from above and my clothes being pulled-and I think that was added later.

Other black and white films have also been released in colour, but 'Hum Dono' is better than all of them. When you watch 'Hum Dono Rangeen,' you will feel as though it was shot in colour; you won't feel that I have got the reels painted by brush.

Think of an abstract painting as very, very low relief - a thing, not a picture.

In reading plays, however, it should always be remembered that any play, however great, loses much when not seen in action.

When writing screenplays, it's a matter of remembering to leave off the page anything and everything that doesn't appear on the screen.

If you come away from a show thinking of an image, that's as good as remembering a joke. A lot of those shows, like 'The Office,' they are brilliant, but they're not visually interesting.

The asparagus effect is what happens sometimes when you render 2D images into 3D.

Some colors are very difficult to render, and you must compensate to get the color you want on the screen.

Photographers do more assignments than reporters do, so they know their communities better.

Painting is an essentially concrete art and can only consist of the representation of real and existing things.