Quotes About Visual

The way that you present yourself visually totally dictates your audience and everything that anyone thinks about you.

Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame totally different from the next. So your edges are coolly sharp and have a different feeling, an organic feeling rather than this mechanic feeling you get with digital.

written words stimulate and liberate the imagination. Images, on the other hand, usually captivate the imagination.

The only reason that you do visual is solely for the visual. That's the only reason. It doesn't sell your music for you.

dark. Basically, the more you're aware of what you want these images to convey, the richer the images are going to be.

Each time you do a film you gain a lot of experience and build a visual resume where people get to know who you are.

I always had a sense of liking diagrams, from the time I was studying architecture. Architecture is built diagrams, basically.

The one thing with 3D presentations is I think that 3D itself, whether it's 24 or 48, is at a very interesting point in time.

Well, I have an idea, usually a visual image of some sort. A setting. A particular, I don't know, urban scene, a particular time of day. Something that grips my imagination for some reason.

In the theater there are 1,500 cameras rolling at the same time - in the cinema, only one.

When a customer receives a dish, they get food and design at the same time.

I have a very strong visual memory of the first time I made him laugh. That was remarkable. I was like, "Oh, God, I just made Jack Benny laugh."

The best visual book I can think of is Lynda Barry's What It Is, but although I refer to it all the time it's not a creative writing book per se.

Architecture has a strong link with the movies in terms of time progression, sequencing, framing, all of that.

I just love photographing things and putting them together to tell a story.

Sculpture is a series of 3-dimensional shapes which, while fitting together, cause the perception of lines to the viewer, even where they do not exist.

I can hear you and I can watch your mouth move, and then I put together the sounds and the visual image and I can understand the words as I integrate the two signals.

Humans are better equipped for sight than for smell. We process visual input ten times faster than olfactory.

The virtuosity and visual humor of people like A.B. Frost, T.S. Sullivant, and [Thomas] Nast of course, have so much depth and innate humor that I couldn't really resist cross hatching. Later day cross-hatchers like Ron Cobb and Bill Plympton were also early influences. (from an interview in Attitude, 2002)

Sometimes the west showed clouds like tiny pink feathers; sometimes it showed purple mountains and green lakes; sometimes the clouds were scarlet with gold around the edges. Betsy

gray, black and scarlet;

the pale pinks and greens of the sixties tract houses visible above them. One house, defiant heliotrope, stood out among them like a biker at a CPA convention.

He passed them out to the class, the picture of the young woman to one side of the room and the picture of the old woman to the other.

A good affirmation has five basic ingredients: it's personal, it's positive, it's present tense, it's visual, and it's emotional. So I might write something like this: "It is deeply satisfying (emotional) that I (personal) respond (present tense) with wisdom, love, firmness, and self-control (positive) when my children misbehave.