Quotes About Scenes

Honestly, I understand that as an actor I should be comfortable with playing different characters. I am also not degrading those actors who are part of stories that require intimate scenes, but as an actress, I wouldn't be doing any scene that requires smooching and making out.

I've grown up watching cinema from around the world, and there are films that have scenes that are far steamier than what we are required to do on screen.

We pass now quickly from each other's sight; but I know full well that where beyond these passing scenes you shall be, there will be Heaven.

Music is definitely influential on how I approach my scenes.

I like doing fight scenes. I always have, and I insist on doing as much of that action as they'll let me do. I think that's easy for me.

Stephen Moyer is probably the most gracious, gifted actor that I've met. He's really intelligent. He has a real sensitivity to his character, to scenes, to scripts.

I think 'Baywatch' will be a summer blockbuster, and I'm not just saying it because I'm in it. I saw a bunch of scenes right now, and it's the funniest movie ever. Dwayne and Zac Efron have the best chemistry, and I come and interrupt their chemistry.

También sobre el alma nieva. La nieve del alma tiene copos de besos y escenas que se hundieron en la sombra o en la luz del que las piensa.

La vie est une sitcom: une suite de scènes qui se déroulent toujours dans les mêmes décors, avec à peu près les mêmes personnages, et dont on attend les prochains épisodes avec une impatience teintée d'abrutissement.

It is, alas, chiefly the evil emotions that are able to leave their photographs on surrounding scenes and objects and whoever heard of a place haunted by a noble deed, or of beautiful and lovely ghosts revisiting the glimpses of the moon?

He consumed the city with his gaze, trying to fathom intuitively the secret relationship between the trees standing still on the side of the road and the barbarous scenes that had stupefied the entire world during the genocide.

In his or her own way, everyone I saw before me looked happy. Whether they were really happy or just looked it, I couldn't tell. But they did look happy on this pleasant early afternoon in late September, and because of that I felt a kind of loneliness new to me, as if I were the only one here who was not truly part of the scene.

Just the textures of things are really important to me as I'm writing; I think atmospherics and visuals can have such emotional impact if you can harness the thematic thread between how scenes look and how your characters feel. I like to tug on that thread.

The historical background is one of the easier aspects of writing a novel. Far more difficult is dreaming up the smaller, character-based scenes, scenes that rise entirely from one's own imagination.

Before I'd written movies, I never could do big set-piece scenes with a lot of different speakers - when you've got twelve people around a dinner table talking at cross purposes. I had always been impressed by other people's ability to do that.

I've been campaigning like anything for restoring these changes. For 27 years. I wrote a book about it, well, a portion of the book was devoted to these scenes and why they should have been in the movie.

I've got a role in the new Billy Bob Thornton movie that Billy Bob wrote and is going to direct called 'Jayne Mansfield's Car.' I only have four scenes, but I have as much dialogue as anybody in the movie.

In terms of a narrative nonfiction book, when you're describing scenes that you have multiple sources for, and that you have differing sources for, and you decide to choose a path that puts all that information together, well yeah, there's definitely going to be a little bit of the author in that. But there's nothing wrong with that.

I'm really bad writing the chase scenes or fighting scenes. I'm much better for writing, like, a more melancholic or tragic music.

I got a lot of energy from directing the film 'Ladies In Lavender.' You wonder if you have the stamina because as an actor you can lounge around the trailer during the scenes you're not in, but as a director, you're there from first thing in the morning to last thing at night every day of the week. I found it incredibly energising.

For 'Spartacus,' we've committed 100 percent of our production time to creating great scenes. So all the training I do is on my own time. And that's pretty limited.

The key to making good movies is to pay attention to the transition between scenes.

The main flaw in most love scenes is similar to that of the main flaws in all other scenes: the reader's emotions have been insufficiently considered by the writer. The primary erogenous zone is in the head, and that's where the reader experiences writing.

And the indie rock and art scenes have a lot in common: in both, talent is one thing, but otherwise it's all about making the right connections and orchestrating one's own creations into discernible and desirable movements. Relationships are currency