Quotes About Camera

Light-field photography is a transformational technology that needs a transformational product to introduce it. For the first time, we have a light-field camera that's going to be for everyone - not something in a huge room in a research facility.

I was always in front of the camera. My mom was really passionate about photography - I have pictures of my whole life. I've always just been in front of my mom's camera, and it's always comfortable to me.

I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.

I've always been intimidated by the technicalities of taking photos, especially with a film camera - not just a point and shoot.

Once you get a kitten, the natural thing you do is take a billion photos.

Hollywood's a mecca, but it's not the final answer. You pick up a camera anyplace in the world, you can make a movie.

Look, Hollywood's a mecca, but it's not the final answer. You pick up a camera anyplace in the world, you can make a movie.

Some basic things I have picked up from Dad is how to interpret my character correctly, use the camera to my advantage and how not to hurry up with work.

I don't need a coach to tell me what to say. I need a coach to figure out what kind of shirt to wear and how to look at the camera and how to avoid, you know, picking your nose on camera.

My dream concept is that I have a camera and I am trying to photograph what is essentially invisible. And every once in a while I get a glimpse of her and I grab that picture.

But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't.

I hate having my picture taken.

Today, the paparazzi are not just photographers: everyone has a cell phone with a camera. If they see an actor, they click pictures to show it to their friends or have it on their phones and, as an actor, I don't see anything wrong with it. Having said that, there is a limit that has been crossed, but there is nothing right or wrong.

I have a genuine philosophy. I do not want to make negative pictures about people, and so I do everything I can to help make them feel comfortable in front of the camera. That is what is going to control your picture, because you are alone if your subject is not with you. And that's the simple answer to getting a good picture.

I didn't like the way I looked in pictures - when I saw myself on a digital camera, I was like, 'Eesh.'

In motion pictures, the actor rules. The camera served the actor.

I never shot on sets, but if I was traveling somewhere or on location, I would always have my camera, and I'd always be - it's that kind of fly on the wall approach to photography, though. I don't engage the subject. I like to sneak around, skulk about in the dark.

When you're even on a regular movie set, you still have to suspend your disbelief. You're working there with only 3 walls of a room, and you're in costume, and you have a camera 6 inches from you and have a crew of 75 watching you. So even there, you have to crank up your imagination.

I got a Leica film camera and just started wandering the streets. What really touched my heart were those unexpected and unplanned moments of life observed.

I love being a grandparent. I'm one of those you want to avoid - I pull out the iPhone and say, 'Hey, wanna see my camera roll?'

I wanted 'Night of the Living Dead' to look naturalistic, but we weren't able to do it because we were shooting with a blimped 35mm camera, which is automatically static.

I used to hate doing color. I hated transparency film. The way I did color was by not wanting to know what kind of film was in my camera.

A film will have many events such as audio release, promotional activities. I did not have that fancy-looking clothes to look good before the camera. So I used to ask my producers for the clothes I wore in the film. I still have my 'Yevadu Subramanyam' clothes in my wardrobe.

When I'm working on a picture, I get up at 6 o'clock in the morning, report to the sound stage for rehearsals at 8, then appear before the camera from 9 to 6. I dread going to lunch, because during that hour my muscles get cold and I have to warm them up again. Standing still is the most miserable thing a dancer has to do.