Quotes About Camera

I'm comfortable in front of the camera, but I can't act.

I like telling stories, I like movies, and I want to work on films. I think I would feel safer behind the camera.

This thing called the camera, that takes everything in equally, taught me a lot about how to see.

If there's a camera on me or off me, it's roughly the same, just a lot less energy.

If I'm healthy, that comes across on camera.

I moved to L.A., because that's where they point cameras at you. And that's what I'd like them to do.

What's so fun when you shoot in a car is you get to research all the other road movies that have ever been done, and you try to figure out where do they place the cameras and how many shots can you get with your people in the car. So just doing the research on the films is so fun.

I was fortunate to literally find my style on camera working in Canada.

I would watch 'Punk'd' or 'Candid Camera' - I love the shows, but also I would feel bad about the people that were getting pranked.

I've always been involved with all aspects of my careers. Being behind the camera seems as natural as in front.

I carry my camera with me everywhere. I'm a vlogger!

Many times, we athletes have a camera in front of us and in many cases a lot of people with that same background or history do not have that opportunity.

When I got cast in 'Rocky IV,' I had never seen a film camera before. And here I was in this boxing movie.

I am very rewarded and challenged in front of the camera.

When I'm on an adventure, I live with a camera in my hand, and that's what I try to give to the readers inside the space that gives us every chapter of the story.

I learnt a lot as a child actor. Since I had been before the camera, I knew how it would be to be on a set or on a shoot. That way it was easy for me when I re-entered the industry as the main lead.

I choose things that challenge me. I was afraid of the camera - that's why I chose to do 'Private Practice.' It's not like I left the theater.

I started out with this dream of being a director and doing cinematography and bought my first film camera at 15.

To be a superstar you have to win and you have to have something special. For me, I hope that knocking people out is my something special because I can't sell myself, per se, and become a different person on camera and a different person off camera.

I suppose I'm a bit mean. My face on camera doesn't lend itself to happy nice guys. I think it's just that my bone structure looks menacing.

I think I'm becoming more relaxed in front of a camera. I suppose I'll always feel slightly more at home on stage. It's more of an actor's medium. You are your own editor, nobody else is choosing what is being seen of you.

The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.

Even with a stable character, you want something surprising to happen, hopefully because that's what the camera loves the most. That's what is great about film.

I never expected a camera was going to follow all of my moves, and that was surprising when I saw it for the first time.