Quotes About Commercial

Most commercial products that contain organic molecules possess at least one carbon-carbon double bond, or if one is not present, it is likely that an olefin was used in its preparation. This being the case, the potential applications of olefin metathesis are endless.

If there's going to be the development of a commercial space economy, whatever it is, shouldn't you do your exploration to prepare a path for what's going to come next?

I want to make my kind of films but make them work commercially, too. When my presentation meets the director's imagination, the result will be great.

I don't think it's right to define films as commercial or art house. What's important is that a film evokes a certain emotion when it's being watched.

I have a problem with the present definition of commercial films. To me, 'Ghare and Baire' is an absolute mainstream film. There are also many films I have worked in that have been called art films by many. But I consider commercial.

It so depends on each script, because you can say... I always thought I wouldn't have wanted to do something that was kind of like as big and commercial as 'The Dark is Rising,' but I really liked the script. I thought it was really clever.

The cold, commercial word 'market' disguises its human character - a market is a collection of our aspirations, exertions, choices and desires.

Since 80% of my career has been devoted to successful commercial cinema, I have always been told that I do not know how to act.

For me, as an actor, there is no commercial or independent or art cinema. For me, it's a character that is given by the director. And it is a task for me that I have to fulfill it to the best of my ability regardless of the kind of film that it is.

My taste in films doesn't lead financers to think they are going to make a zillion dollars.

There is certainly a part of my filmmaking that harkens to a more simpler commercial kind of taste, but then with this there's certainly a kind of avant-garde, abstract, existential element to it.

I was always amazed about how much I could finally squeeze into a thirty second commercial.

Every ad for every film is exactly the same.

un programa popular de televisión— hace algo más que exponer al público a los mensajes publicitarios que lo acompañan, sino que también predisponen a esa audiencia, pre-suasivamente, a determinados tipos de mensajes comerciales.

Just what is a speculative bubble? The Oxford English Dictionary defines a bubble as "anything fragile, unsubstantial, empty, or worthless; a deceptive show. From 17th c. onwards often applied to delusive commercial or financial schemes." The problem is that words like show and scheme suggest a deliberate creation, rather than a widespread social phenomenon that is not directed by any central impresario.

You can reduce your anxiety somewhat by facing the fact that there isn't a mechanic alive who doesn't louse up a job once in a while. The main difference between you and the commercial mechanics is that when they do it you don't hear about it—just pay for it, in additional costs prorated through all your bills. When you make the mistakes yourself, you at least get the benefit of some education.

notably the 1999 repeal of the US Glass–Steagall Act – allowed commercial banks to become investment banks as well. In addition to investing their depositors' money, they became highly leveraged speculators in the newly developed securities

Kim and I own several thousand cash-flowing apartment properties, commercial properties, a luxury hotel, a boutique hotel, five golf courses, and oil wells. Every year we add more assets like those to our financial statement and pay less in taxes.

As to Bell's talking telegraph, it only creates interest in scientific circles, and, as a toy it is beautiful; but ... its commercial value will be limited.

graphic design has a cultural and aesthetic value beyond the mere trumpeting of commercial messages.

Our weak understanding of our needs is aggravated by what Epicurus termed 'idle opinions' of those around us, which do not reflect the natural hierarchy of our needs, emphasizing luxury and riches, seldom friendship, freedom and thought. The prevalence of idle opinion is no coincidence. It is in the interest of commercial enterprises to slew the hierarchy of our needs, to promote a material vision of good and downplay an unsaleable one.

In hock to the excitements and commercial advantages of rage, the news cruelly ignores the project of consolation.

we shouldn't be surprised if this kind of stoicism is of no interest whatsoever to the news, for it has sound commercial incentives for overemphasizing our vulnerability.

This is the deep-space commercial tug Nostromo, registration number one eight zero, two four six, en route to Earth with bulk cargo crude petroleum and appropriate refinery. Calling Antarctica traffic control. Do you read me? Over.