Quotes About Commercial

He's carving a roast chicken, and he looks daddish in a wholesome coffee-commercial way but still vital.

The global financial collapse exposed the longstanding myth that commercial exchange is a primary institution. There are no examples in history where people created commercial markets and exchange before creating a culture.

We're not uncomfortable with it, and we've already been through enough of the music business where I'm not really worried that commercial success is going to in some way - we're already past saving, you know what I mean? It's too late for us.

Hello, welcome to Wal-Mart. Amanda lifted up her pink sunglasses to gape at the old guy in the requisite blue vest. - Ohmigod, it's just like the commercial. If a smiling yellow dot bounces toward me, I'm going to freak out.

I never understood using Kickstarter for commercial purposes. If you want to raise money for commercial purposes, I think you should give someone a dividend. They make money, then you make money. It should be an investment, whereas I think Kickstarter's true purpose is raising money for things that are in and of themselves justifying.

Competition-driven innovation and price pressure that commercial practices foster can only make human spaceflight ever more common and U.S. leadership in this domain ever clearer.

Making independent films is liberating. It eliminates self-censorship, which mainstream films are infected with due to commercial priorities.

I have a private plane. But I fly commercial when I go to environmental conferences.

In our equities business, 49 of the 50 most important Lehman clients are back doing business with us. The flows are 75 to 80 per cent of what they were prior to the bankruptcy. The issues which damaged Lehman were around commercial mortgages and illiquid private equity assets.

I don't really like the Oscars; it's a commercial promotional event. It helps immeasurably to sell films, but it's hardly the Nobel prize.

Even during my short film days, I approached theatres with the idea of playing them during the interval. They thought it was problematic to screen an offbeat short film in between a commercial film.

We need to differentiate between commercial piracy - where criminal organisations produce illicit DVDs on a huge scale - and domestic, unauthorised filesharing, which may or may not be detrimental to overall sales.

There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.

I could never work in that kind of commercial environment where the stars have a lot to say, where the producers kind of push you around and tell you who to cast and who not to cast. I'm just not interested in that at all.

There are always discussions about casting stars in lead roles in theater - especially when you're working with commercial producers - and it's not something I'm against, not at all. But any casting has to be right for the project.

Now, product placement, whichever way you look at it, whether you like it or you think it's disgusting, or whatever, it's what it is.

I am the last person who has any judgement about any kind of cinema, least of all commercial cinema because I am a product of commercial cinema.

'Damadol' is a dig at commercial cinema where I play the role of the blunt-headed producer who loves masala flicks and feels he knows everything about films.

No matter what, I'm in a very small club. There are very few women who have directed studio-level commercial films - very few.

No power on earth can ever get me back to directing a commercial film.

The commercial space industry is enormous and ripe for disruption.

People want to make a distinction between what's commercial and what's art.

95% of the album is my writing, by choice, because it seems to be what the distributors want.

I think the British industry is set up to support British film, if we make films that enable them to support it. If you don't make a commercial film, distributors can't get behind it. If they don't get behind it, the film doesn't do well.