Quotes About Commercial

We all know the Internet didn't explode until it became a commercial enterprise. Space communication will probably have the same characteristic.

Once in a while, I need to go out of my way to do different films, to exploit all commercial angles to cater to the masses.

'Belko Experiment' was the harshest, most extreme movie I ever made. But I still think there's a very cohesive center to it that wasn't always in my early films. And that isn't necessarily a bad thing. But I think it's a commercial thing.

I think, a lot of times, bands will break up because their goal is commercial success, and most bands aren't going to get that: it's out of their control. If you do, you're one of the lucky ones, but that commercial success will likely fade, and you'll end up breaking up anyway.

I am not the hero of this film. It is Lakshmi Narasimha Swamy. The story is related to him. That doesn't mean that 'Kshetram' is a devotional subject. The climax scenes will have the audience in tears. No, it is not a sentimental drama either. Devotional values have been interspersed with commercial elements in this film.

I was eating cereal on my couch when I saw the first commercial for 'The Wiz' on TV. I dropped the spoon and the tears came out of nowhere.

My products and magic are free, but on the commercial side of what I do, the big tech companies are impressed with somebody like me who can emotionalize a piece of technology.

At this period the enthusiasm of the amateur was fast giving way to a more steady commercial instinct, and I let no opportunity slip of improving my position, but I felt that I was still labouring under the disadvantage of not having acquired some technical profession.

There is no denying the fact that China has been able to convert its economic might into commercial and technological capability.

'The Driver' wasn't commercially successful at the time, but when I was a teenager, I had no knowledge of that.

Seriously, we are in the midst of the convergence of voice and data and that is challenging the infrastructure of the telephone companies. There are huge commercial interests in the basic technology, but even more so in content delivery and control of content.

I enjoy construction and the process of building things, so maybe I'd be a developer of some kind - residential and commercial. Because I produce a lot of television now, I enjoy building things from the ground up, whether it's a physical structure or a show, and seeing them and realizing them.

It's ironic, really, because I've spent the bulk of my career making my living in a very commercial realm: network television. And yet, my sensibilities don't necessarily line up with how I pay my rent.

At the time I left film school there wasn't a lot of hope for young film-makers. It was a calling card of film school to be quite slick and commercial, which might lead to getting some stuff on telly.

In Telugu filmdom, audiences like to see their hero dance, fight and play a larger-than-life character. It's precisely why most of our commercial films do extremely well and get remade too.

In Tamil and Telugu, I have to do mainstream commercial films. Irrespective of what I want to do, the audience wants to see me in that 'mass' space.

Commercial Bengali movies are all crass imitation of Telugu and Tamil movies. There are only a handful of directors like Rituparno Ghosh, Aparna Sen and Gautam Ghose who make quality films.

'Naa Ishtam' is my first commercial Telugu film. That was exciting.

But not gold in commercial quantities, Just enough gold to make the engagement rings And marriage rings of those who owned the farm. What gold more innocent could one have asked for?

Your only hope of satisfying others is in satisfying yourself. I speak of a great satisfaction, not a commercial satisfaction.

As we gather in all the scenes that satirize Hollywood aristocracy, we realize that commercial films that presume to instruct society on how to solve its shortcomings are certain to be false. For, with few exceptions, most filmmakers, like Sullivan, are not interested in the suffering poor as much as the picturesque poor.

Commercial DNA laboratories accept saliva DNA samples with absolutely no chain of custody.

Thus it was that, beginning in about the ninth century, the growing monastic estates came to resemble well-organized and stable firms that pursued complex commercial activities within a relatively free market, investing in productive activities involving a hired workforce, guided by anticipated and actual returns.

Goldman, Sachs specialized in commercial paper, Lehman in commodity trading.