Quotes About Viewers

Films are meant for the masses, for the purpose of entertainment.

Films are not meant to be watched only by fans but by everyone. Fans are those who like what we do. When we do things that only they like, then we are becoming their fans.

The intelligence of cinema-goers should be respected.

I just feel that if people write about a film, then they should also write about audience's response.

I would love for TNT to run the whole season at one point. I don't think that'll ever happen, though.

What matters is whether the audience likes the film or not. Everything else is secondary.

Once the film is out and a lot of people are seeing it, it becomes almost owned by the cinemagoers of the world.

The Canadian audience is very critical, particularly of their own content.

Although shooting action-packed movies is a physically hard job and I repeat movements over and over, those action scenes alone, regardless of rest of the story, gives visual pleasure to viewers. They also give some satisfaction to me as an actor.

People are vocal, so you hear the pros and cons of your shows.

RT completes the picture of the events in the U.S. and around the globe, giving viewers access to a range of stories, voices, and opinions and a real opportunity to speak their minds.

I seriously consider television to be the people's medium.

People over 30 are interested in sex too, but they get real movies about it.

It is awkward to see a director on the screen.

Being performers, that's what we do: We put on shows and want people to watch.

There seems to be a vulnerability at the networks in late night. They are losing more and more audience, particularly young viewers who are now looking at cable television. 'Tonight' is an old show. CBS has reruns, and having a public affairs series like 'Nightline' on ABC is a big mistake.

With the advent of multiplexes, the audiences coming in are not bothered by who's in the film. We need not run after stars.

There are a lot more TV sets in use on Monday night than on Sunday afternoon.

If you don't like my movies, don't watch them.

Steve Irwin did wonderful conservation work but I was uncomfortable about some of his stunts. Even if animals aren't aware that you are not treating them with respect, the viewers are.

To all viewers but yourself, what matters is the product: the finished artwork. To you, and you alone, what matters is the process: the experience of shaping that artwork. The viewers' concerns are not your concerns (although it's dangerously easy to adopt their attitudes.) Their job is whatever it is: to be moved by art, to be entertained by it, to make a killing off it, whatever. Your job is to learn to work on your work.

It's really two movies crammed into one, the first of which is a lot better than the second. Spider-Man 3 starts out strong but before it finishes, many viewers will desperately wish it had called it quits an hour earlier.

I understand that in the UK there have already been 10,000 complaints from viewers about these remarks, which people see, rightly, as offensive. I want Britain to be seen as a country of fairness and tolerance. Anything detracting from this I condemn.

You know, it's nice on a sitcom to have an audience there, but there's still a wall of cameras between you and them.