Quotes About Box office

If the film succeeds at the box office it is a commercial film. Otherwise it isn't.

Box office success is pertinent but the story has to have a life beyond the two hours.

Male actors get into production, share profit, and they don't take money at times but are involved in some capacity which is economical and resourceful. These things suit them; as they have made a place for themselves, they have command over the box office.

My friends tell me that romantic entertainers suit me and the BO results indicate as much.

Analyses of the movie marketplace points to an interesting phenomenon: High-profile movies are continuing to do well year-to-year in the U.S. and overseas - this past summer, for example, the top 10 movies registered at the same level as in '04.

After the second Die Hard, Bruce Willis stated he would never do another. He should have stayed firm in his resolve. If quality is any indication (and it may be, with all the available blockbusters), box office returns will be disappointing this time around and, if nothing else, that will do to John McClane what dozens of assorted bad guys couldn't manage: kill him.

The Tamil film '3' is a movie that I will always be proud of, irrespective of whether it did well at the BO or not. It completely changed my career and people's perspective of me as a performer.

'I Wanna Hold Your Hand' and 'Used Cars' were absolute failures at the box office. Complete disasters. I learned some sad news: it's not an automatic thing that, if you make a good movie, everyone wants to see it.

Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.

I want a certificate that allows me to make as big a box office as possible.

There are so few movies that still cast on chemistry. Now it's often, like, this person's movies make this amount of money, and this person's movie makes that amount of money, so let's put them together.

At times I do feel that there is some issue with child actors because in all my films my performance has been appreciated but the films have not created magic at the box office.

I don't know, I'll probably make the first superhero movie that bombs.

I think no one really knows for sure what will work at the box office. Even big production houses don't know what will do well and what won't.

I believe in one thing, and that is content, because if your content is strong, the film will surely be hit at the box office.

So, it didn't do well. But now when I talk to kids who are first seeing it, they're surprised to hear the movie failed at the box office. Sometimes that's what happens.

I'm the worst at picking what movies are going to do well. I have no idea. I'm really surprised if a movie I like does well.

Over the years, with all the experience, I've become more mature about the subjects I pick. I have a better understanding of what works at the box office. Once the story is finalised, I surrender to the director and follow him. After that, my performances speak for themselves.

For the most part, studio movies have huge budgets. They don't do anything under 30 to 40 million. When you have that much money at stake, you have so many people breathing down your neck.

If you look at all the movies that have made tons of money, almost all of them are great movies. Even Titanic. I think Titanic is a great movie.

What I learned from this movie, 40 Days and 40 Nights: Abstinence can be a very good thing. Especially from box offices where this film is playing.

Box office figures are not something that can decide the success of a film on its own, but they are one of the many yardsticks that help me measure how well a film has been received.

OTT platforms have taken away the pressure that would plague films earlier... the pressure of box office, the number of screens it will be played in, what kind of stars it has or even the pressure of censorship... This is a really big deal.

I don't think you can name a good picture where the production or the possible promotion isn't "cast-contingent." That means the film needs not just star power but star box office power.