Quotes About Box office

If I give five flops, I won't get a job. You have to perform at the box office when you are at the top. No one is running a charity here. People are putting huge amounts of money to make movies, and they want the films to be successful. They have invested money in you, so it is your duty to make sure the film does well.

Once I am done with the film, I don't worry about how many centres the film has released, what are the BO records, etc. As I have no knowledge of such things, feeling the pressure doesn't arise.

Especially on 'Taken,' 'Taken' was not a big success the day of its release. It was released in France first, and it didn't do bad, but not as good as it did in the U.S.

Most producers who want you to dance are not looking at the long term. They see their evenings, the box office, whom they have to repay, whatever.

L.A. is so much about ratings and box office; that defines everything. And here, of course it's important, but it's not part of the culture - there's too much else going on in New York. They're not going to let one industry monopolize your attention, you know? You're likely to have best friends who are architects or newspaper reporters.

Now, DVD can represent more income than the box office-and typically does.

When you're involved in those big-budget movies, there's a lot of hype: 'Oh this is gonna be a big hit!' And 'A Christmas Story' wasn't. It came and went and was a big disappointment at the box office.

Content is now the most import factor that decides a film's success at the box office, so we as filmmakers are all trying different stories.

When it's the same team that's created magic at the box office in the past, you know you are in safe hands.

I was the first wrestler ever in the history of wrestling to star in a major motion studio picture that became #1 box office of the weekend, and that gave the itch to I don't know how many wrestlers.

A tournament pays me to show up because the fans want to see me and I move the needle at the box office? That's amazing. It's good for tennis, good for me and good for the event. If a sponsor wants to pay to put their company name on my shirt because they think I'm a strong ambassador for their brand? Heck yes.

From the ashes of the studio system, a "New Hollywood" emerged, beginning with the 1967 release of Bonnie and Clyde. Mixing violence, sex, and art, Arthur Penn's $2.5 million film did more than signal a break with the Hollywood of Cary Grant, John Wayne, and Katharine Hepburn. It also brought in $50 million at the box office. And

Who would have thought that a tap-dancing penguin would outpoint James Bond at the box office? And deserve to? Not that there's anything wrong with 'Casino Royale.' But 'Happy Feet' - written and directed by George Miller - is a complete charmer, even if, in the way of most family fare, it can't resist straying into the Inspirational.

Like any compelling show on television, what works best in WWE is relationships. What's the relationship between these two people, and how does the conflict manifest itself into box office?

Yeah, there's absolutely. I mean, remember when The Searchers came out, it was a relatively big hit for a Western, and I think it made 5 million bucks - I don't even think it made that.

In 1923 I was the No. 1 box office star. A year later it was Rin Tin Tin.

Prior to 'Pirates of the Caribbean' - the first one in 2003 - I had been essentially known within the confines of Hollywood as box office poison, you know what I'm saying? You know, I basically had built a career on 20 years of failures.

'Mask' wasn't the version that I wanted when it was originally released. It made money, but it would have made a lot more money. My version was a lot less depressing - tragic, but a lot less depressing.

The way we structure our backend, we key the payments to the box office - so that cuts the negotiating way down, and it's very transparent. One of the things I'm most proud of is that we're really transparent with our process.

General admission for groundlings—those who stood in the open around the stage—was a penny. Those who wished to sit paid a penny more, and those who desired a cushion paid another penny on top of that—all this at a time when a day's wage was 1 shilling (12 pence) or less a day. The money was dropped into a box, which was taken to a special room for safekeeping—the box office.

If my films did better at the box office in Japan, it would be easier to get them made.

When newspapers started to publish the box office scores of movies, I was horrified. Those results are totally fake because they never include the promotion budget.

I've been able to make some wonderful films, but sometimes you make films with great passion - great belief - and these films slightly don't work at the box office, and they become your favorite films.

The cashier had long since left for home. By now she was probably bustling by an unmade bed that was waiting in her small room like a boat to carry her off to the black lagoons of sleep, into the complicated world of dreams. The person sitting in the box office was only a wraith, an illusory phantom looking with tired, heavily made-up eyes at the empyiness of light, fluttering her lashes thoughtlessly to disperse the golden dust of drowsiness scattered by the elctric bulbs.