Quotes About Box office

If I want to be a leading man in a film, box office numbers count because producers have invested money. I see no wrong in that process.

'Srimanthudu' is a film very close to my heart. It's my first production, and I'm more than happy with its performance at the box office.

As a child working in films was like a hobby but now it has turned into a profession. And with that, it's become a life that's full of pressure and nervousness about Box Office results, competition.

'The Room' came out in 2003, really to crickets. Nobody showed up to see it. It made $1800 at the box office. Everyone assumed it was going to disappear.

It's not necessary that every film has to hit Rs 100 crore box office, or the Rs 50 crore budget. If the film makes double of its project budget, we consider that a hit, and that also means that the film is in profit.

I was always obsessed with the 'Adventures of Buckaroo Banzai,' this weird little cult movie. There was this promised sequel before the end credits - 'Buckaroo Banzai Against the World Crime League' - and I knew instinctively they were never going to make that movie, because the first one had made, like, $8 at the box office.

According to me, a film can talk for itself. Like, Aamir Khan does not promote his films on a large scale, but his films work on the box office.

People can criticise all day long, I think I've proven myself, I think I deliver. And I agree, box office does not mean a movie's good, but I feel like I'm making good movies and I'm delivering in box office.

It's fantastic to see 'Les Miserables' become the top-grossing film at the U.K. box office.

Any film, whether it worked at the box office or not, I'll have my favourite moments from it.

'ABCD - AnyBody Can Dance' and 'ABCD 2' has succeeded not merely because of dance, but mainly because of its good script. Viewers have loved the story, and that's why my movies have done well at the box office.

To make money, it may be important to win the Academy Award, for it might mean another ten million dollars at the box office.

I've had movies bomb with terrible reviews, I've had movies make a lot of money with terrible reviews, I've had movies get good reviews and make money. And I like it best when the movies do well and the reviewers like them.

At some level, I feel it is nice to know that a film of yours is doing well at the box office and has also got great reviews. That feels like success.

The film is not a success until it makes money. It's only good when there's a dollar figure attached to the box office.

I'll be working the rest of my life because I'm a character actor and don't have to worry about box office.

When newspapers started to publish the box office scores of movies, I was horrified. Those results are totally fake because they never include the promotion budget.

We want box office success, critical acclaim, awards and everything else. But I think when the audience likes a film, that appreciation is far more fulfilling, far more satisfying than any award.

But the community knew Blade, and everybody but us was shocked at the box office, and subsequently the DVD. That was the beginning of the DVD revolution, and Blade was just like wildfire.

There's this index that tallies up how much your movies have made, and if they haven't grossed a certain amount, then you're not bankable. I know I'm not Will Smith but, you know, my ranking's pretty low. The only studio picture I've done is 'Zodiac,' and that didn't perform that well.

The only way to ensure a film is going to sell is put Will Smith in it and you open it in 3,000 theaters and make sure we have all the top promotional spots in each venue.

People are willing to pay for the right to cheer or boo Roman Reigns. That is your job as a box office attraction. Your job and the manner in which you feed your family is not dependent upon whether the audience respects you or disrespects you. It's dependent on the audience's willingness to pay to see you.

It's not simply that British films do well at the box office and generate revenue, it's that they provide a window to the world of what Britain and its culture is about.

Hollywood is not known as a culture of grace. Dog-eat-dog is more like it. People love you one day and hate you the next. Personal value is very much attached to box office revenues and the unpredictable and often cruel winds of fashion.