Quotes About Musical

I love form, but I'm not interested in forms. I've never written a sonnet or villanelle or sestina or any of that. For me, it's a kind of line. It's a rhythm. It's something musical.

I remember at the age of, and I'll say this, 10 and a half, 11, I had a natural boy soprano.

I sort of wrongfully judged 'Mamma Mia!' for so long. I thought of it as a jukebox musical that I wasn't interested in. I was so wrong.

'The Sound of Music' is one of my favourite old musical films.

'The Secret Garden' was the first musical that I fell in love with when I was a kid. My mom took me to see it, and it was the first one that I owned the soundtrack to and listened to over and over again.

If you looked at my music collection and saw an album that was a soundtrack to a musical, it's probably because I had bought it to learn the music so I could go and audition.

A musical would be fantastic. The soundtrack would be great and I'd like to do acting.

My major influence is Satyajit Ray; his film 'Shatranj ke Khilari' was set in Awadh and it gave us memorable characters. Ray's musical scores and soundtracks were an intrinsic part of his films. And music to me is important, too.

The south is very focused on family... the musical heritage of Muscle Shoals especially and the bands from the region.

It's funny because 'The Book of Mormon' is 'The Book of Mormon' now. When I was doing it at the very beginning, and I was a part of it for four years and always believed in it, I never really knew if it was going to be more than a convention for 'South Park' fans.

I saw my first Broadway show when I was 10 years old. I saw 'Big: The Musical' and I remember going out to dinner with my mom afterward and reading the souvenir program like crazy!

With 'Acid Rap,' I allowed myself to be really open-minded and free with who I allowed into my musical space. I wanted to make a cohesive product, but I also just want to make a bunch of dope songs inspired by whatever sounds I liked.

Is it A-flat or G-sharp?

Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.

Well, I really enjoyed drama classes at school, but I left at 16 and started writing a musical with my brother. Because of that I missed out on going to college in general - it was take that chance or not and maybe miss out on something incredible.

For years, Ono's work - musical and otherwise - was, in large part, dismissed and derided; at best, it was often misunderstood.

All the training at MGM came to be a great help for me on 'Molly Brown.'

Why do I love Roald Dahl? His voice, more than anything. It's irreproducible. It's so musical, and it's funny even when it's not trying to be, which is most of the time.

When I was little, I saw the play 'Les Miserables' on Broadway, I thought it was the most amazing thing I have ever seen.

The most difficult thing to pull off in a musical is the choreography.

I had seen other stop-motion animated features, and they were either not engaging or they're just too bizarre. There was one I liked when I was a kid called Mad Monster Party. People thought Nightmare was the first stop-motion animated monster musical, but that was.

I was really into Black Sabbath, but heavy guitars can really be very limiting, it's a great frequency and it's great fun to listen to but on the other hand, musically you can do a lot more without it.

I would like to do a science fiction film some day. Star Wars seems really to have destroyed the genre, which at one time offered great musical opportunities.

So, the choreographer's the one telling everybody to change their balls. And all the rest. That's key when you've got a musical deal with the singing and dancing. You've got a big bunch of people to coordinate. It's like . . . artistic crowd control.