Quotes About Musical

As soon as I knew we were going to be doing tribute episodes, and as soon as I knew the landscape of 'Psych' allowed us to do homages, the show creator and I both had respective dreams. His was a musical episode, and mine was a 'Twin Peaks' episode.

As a performer, once you've understood the genre of musical theatre, you can tire very quickly of the two-dimensional stuff. With Sondheim, it's always a challenge. It's difficult and exhilarating and he's so good on the complexities of relationships and on things going wrong.

As far as long-term goals, one of my favorite artists ever is Tegan and Sara, because every single one of their albums sounds different. Or Beck. I want to be like that because I come from so many different types of musical backgrounds.

I think my children are definitely musically inclined, and they show it, and they're exposed to a lot of it. And they're their own people, and I think easily they could do something musical, or they could do something in acting or film or other types of the arts, and I would fully support it.

You could do a 'Les Mis'-type musical about Hamilton, but it would have to be 12 hours long, because the amount of words on the bars when you're writing a typical song - that's maybe got 10 words per line.

I've got quite a low voice, so it's not your typical musical theater voice, but I do love musicals; they're a very different experience.

'Glee' is very easy to clown because I feel like it's just crumbling. 'Smash!' 'Smash' is the ultimate. I love it because I'm all about theater. I did plays in high school and college, and it totally brings me back to that feeling: how excited you get on opening night, how it sucks when you're not learning the dance moves.

I think the English are an unbelievably musical nation and always have been.

A musical is really one of the most complicated beasts. It's a play, and there's music... and there's dancing... it's unbelievably satisfying to get something up out of your brain onto a piece of paper ... and start the process and then see it on the stage.

I would like to do a science fiction film some day. Star Wars seems really to have destroyed the genre, which at one time offered great musical opportunities.

I'm very influenced by landscapes, not so much the way places look as the way the names sound. In this country we've got so many cultures, and the place names - the Spanish names and the Indian names, which are so incredibly musical.

Sure, 'Les Miserables' can be melodramatic. And seeing the musical instead of reading the novel will save you some time and spare you the long part where Hugo goes on and on about the Parisian sewer system. But I would hate for the novel to lose that.

Musical 'fusion' projects have earned themselves a bad name, but that's mainly because they often involve pop artists conscripting orchestras to play unimaginative backdrops to their acts. What's really exciting is when you spark off a dialogue between very different musical forces.

I wanted to do Dreamgirls. If they're doing a stage production of Sparkle, I think that would be hot.

When you hear someone from the very north of Scotland speaking, I think its nice, very musical and harmonious.

I knew I'd just done one of the most amazing things that I will ever get a chance to do. Just to be part of a musical that's not your background and to pull it off and to think that we've done something that's really special.

I can rap. Not openly in the world, but it's important that people know! I can rap for a very specific reason, which is that in college I was in an improv comedy group, and we did musical improv.

I don't like to bad-mouth other shows, but I was very disturbed after seeing 'Starlight Express.' It had very little to do with musical comedy as I know it. It had to do with sound and spectacle and records and technology and amplification.

People fall into patterns at fast speeds, when really, to have a clear musical thought - the kind of musical thought that makes a melody work - our brains just can't think that fast. At a certain point, you're going on automatic.

There's just nothing funnier or crazier than that - doing your Broadway debut as Spider-Man in 'Spider-Man' the musical. It was, like, the last thing I could have ever possibly imagined happening. I mean, I would tell people I was playing Spider-Man, and people would just break out laughing because it was so ridiculous!

Sondheim's work especially, and musical theater like that, just spoke to me so much and taught me so many lessons.

Hearing that the same men who brought us 'South Park' were mounting a musical to be called 'The Book of Mormon,' we were tempted to turn away, as from an inevitable massacre.

I remember the Pharisees from Jesus Christ, Superstar. They were the ones with the deep voices who were always hassling Christ.

You don't stop when a musical number comes up and do the number and then take up the scene where you left off. It all moves forward. Your work as an actor was part of your work as a dancer as well. It was dialogue through movement.