Quotes About Sitcom

The charming sitcom is all very well, but good comedy is based on pain and danger and fear.

I'd love to see a sitcom about someone with cerebral palsy.

I'm enjoying Channel Four's '10 O'Clock Live.' I like the idea of putting together a dream team and seeing what happens. I also like 'Not Going Out,' the sitcom starring Lee Mack. It's a sitcom packed with jokes. Not many of them as frowned upon as lacking kudos.

Standups always like the room cold, and if you're shooting a sitcom live you want it a little bit chilly for the audience. I don't know why - you'd have to ask a combination of an evolutionary psychologist and a building-maintenance man.

Sitcom characters, my writing partner Sam Bain and I sometimes tell each other, are not normally self-conscious. Or not quite. The best sitcom characters are probably just a little self-conscious. Deep enough to feel pain and humiliation, but shallow enough that there are no hidden depths.

'Fresh Off the Boat' will be syndicated. This show and these characters will live forever in the pantheon of classic family sitcoms.

I love that 'Black-ish' is a pretty traditional sitcom, structurally. It functions like the sitcoms from the '80s and '90s that I grew up with.

If I was married to a man, and I had the same life situation that I have, it's the perfect recipe for a sitcom.

I can help you shape your sitcom, I can help you think about what could make your sketch show better, but it won't help you get you a commission.

I started writing sketches with Dennis Kelly, who I ended up writing 'Pulling' with. We entered a BBC competition and did quite well, then started writing bits for other people's shows. You wheedle your way in, write pilots and eventually you end up writing a sitcom.

I'm looking for parts that will challenge me comedically. I would love to be on a multicam sitcom one day, kind of like Friends. I love making people laugh and would like to continue to do so!

I love doing comedy. I did comedy for seven years on 'The King of Queens.

Jeff Garlin is essentially my dad.

I love Jim and Pam at 'The Office.'

The characters are not allowed to change if you write a sitcom; they're not allowed to learn anything. There's all these sorts of rules, and you go, 'I just want to be able to write one character and then leave that behind.' Also, as a performer, and I may regret saying this, but it would be my own personal hell to be trapped in the sitcom.

What's great about working on a sitcom is that I spend so much time with people who are in other fields as well, such as writing, directing, and/or camera operating. Being on set is like being on a playground. I go from one thing to the next, and I've learned so much and hope to continue learning.

My whole experience into the sitcom world, it was, like, "This is like theater, this is like film... This is a hybrid of everything I love to do. A live audience and rehearsals and... more food!"

My very first show that I ever did was a show called 'Then Came You'. It became a huge hit - no, it didn't. But it was a sitcom with some great people involved, and the story was about an older woman and a younger guy. I was the older woman's best friend. I was 27 years old.

When I was younger and studying acting, I never ever saw myself in the sitcom world; it was drama that really turned me on and still does.

Now and again I'll bump into people and say, 'I'm a big fan of yours. Would you like to be in my sitcom?' And they say, 'Oh yes,' but when it comes to the booking, they don't want to do it.

I went on a road trip and ended up in Portland, Oregon, and from there, I did non-stop theater. I had just graduated, and I had all these ideas about what good acting was, but I hadn't put any of it into action. I spent five years honing my acting chops. And then I had this epiphany one day that I need to go to L.A.; I need to be on a sitcom.

So many of these comics are just frustrated singers or actors - they want to get a gig doing a sitcom. It's paint-by-the-numbers comedy, lame joke-telling. They're drawn to it as a career move.

I love the breadth and space you get to explore character in so-called serialized TV, the novelistic element of maybe being able to find out who people are. But I also very much like the sitcom discipline of having a self-contained episode that you could conceivably, I hope, be able to enjoy in and of itself.

It's been an interesting progression, going from soap to a sitcom with 'How I Met Your Mother' and now being a series regular on 'Homeland.'