Quotes About Engagement

I think if you look down the road for Twitter, we would like to be a company - a service - that is used by billions of people around the world in every country in the world because we feel that the power of Twitter is that it brings people closer to each other, to their governments, to their heroes, etc.

Between the three, Facebook is literally everyone I've ever shaken hands with at a conference or kissed on the cheek at Easter. Twitter seems to be everyone I am entertained by or I wish to meet some day. Foursquare seems to be everyone I run into on a regular basis. All three of those social graphs are powerful in their own.

Can you imagine watching 'All in the Family' and having an outlet like Twitter? Where you could discuss it while it's happening? I think that would be a really interesting thing.

It's a little bit of a 'if you can't beat 'em - join 'em' mentality for me when I think about Twitter.

Twitter seems just to be constant updates; it seems to me as promotional tool where people talk themselves up, and I don't want it to take over what I'm doing.

I'm on Twitter. I created my account for my fans, and I do respond back once in a while, because they're so great.

We've recognized that Twitter is the second screen for TV, and TV is more fun with Twitter. There are a bunch of ways that we can be complementary to broadcasters.

I have a Twitter account; I have a fantastic Facebook page.

I've come to really like Twitter. You really do get to see what I'm about, and I like sharing with my fans.

I like the way you can circumvent the media gatekeepers and go right to the people. That's my favorite thing about Twitter.

It's weird because I am accessible to people on Twitter, and I can choose to read good things or mean things, and people can reach out to me directly and tell me how much they hate me or love the song. It's a very strange new paradigm as an artist to find yourself among this kind of connectivity.

The great thing about Twitter is, you get a lot back, and I read through a lot, and I want my fans to know that I do read a lot, and it's why I do respond or retweet clever posts, and I'm constantly amazed by the cleverness of people on Twitter.

I syndicate my Twitter activity to Facebook, but I get very little traffic from it.

I always find something interesting on Twitter that leads me somewhere else.

The power of Twitter still never ceases to amaze me.

I feel like, on a more macro scale, there's started to be a relationship between filmmakers and people who watch their films - you know, on Twitter and on the Internet.

When we're on Twitter, we're not only live tweeting episodes and talking about behind-the-scenes stuff, we actively try to respond to everybody.

What I love about Twitter specifically is that reciprocity is not guaranteed, nor expected. In other words, I can go one way. I can put things out. I don't have to respond to everybody.

I find very few folks are watching their Facebook feed, some are watching their Twitter feed, and all of them are watching their email box. So, while social networks are nice, email is still the killer application.

I think there are a lot of really positive aspects to social media for novelists. Even though our work is pretty solitary, through Twitter and Tumblr and Facebook and Instagram and blogging in general, we're better able to connect directly with readers.

While I know that Twitter is doing just fine with or without my 140-character contributions, I also know that people are fickle, and when using something becomes too annoying, they stop.

The most important thing is readers. I've got a huge Twitter following, but I don't really think it sells books; I don't think a huge Facebook following sells books - although these things aren't bad, of course.

I feel like people with their camera phones and Twitter and Facebook, this kind of question like, 'How can I be present and also document my presence or document what I'm doing?' is something that's always on my mind, even when I'm not working as a filmmaker.

I do have a Twitter account, and there's a woman at my agency who got that all set up for me. I don't know how many followers I have. It's not one of those things I check on a regular basis.