Quotes About Engagement

The distance between me and my readers is the Internet. I can communicate with them and respond to every email I get or every mention on Twitter.

I love Instagram - I don't actually go on Twitter and tweet; I just connect it through my Instagram account. I think it's a good way of getting stuff out there and connecting with people.

There are a lot of people in D.C. who have never been on Twitter or Facebook and don't get what's happening.

I did not leave Twitter.

So much of what we decide to carry in our stores is based on what we hear through the Dylan's Candy Bar Facebook Page and Twitter feeds.

I don't care to read about anybody's Twitter. I don't care what you're eating for breakfast or where you just went. For me, it's mainly just to connect with my supporters and the people who are showing a mad amount of love.

Twitter and Tumblr and Facebook, it's so amazing because years ago, when I was growing up and watching movies, there was no way for us to interact with filmmakers at all. You could send a letter, and you'd never know if you were going to hear back or not.

It takes two hands to clap.

You write for two people, yourself and your audience, who are usually better educated and at least as smart.

What is a good performance? It lies in the hands and head of a performer... the shortest way between two people is not a straight line.

I just think the word interview, although it is the view between two people exchanged, became a sort of cliche. You ask questions and the other one answers.

New Yorkers seem to think the best thing two people can do is talk.

It's very hard to get the dynamics where two people can stimulate each other and be happy.

I think when two people are present and engaged and listening to each other, that's what creates the chemistry. And then the ability to react off of what the other person is saying.

The real energy occurs in each connection between two people, which can bring about exponential returns.

The 3D world allows you to engage even more with a film because you're somehow drawn into the landscape or the universe of that scene. Even when it's two people talking at a table, you feel like you're a third party.

Readers want to see, hear, feel, smell the action of your story, even if that action is just two people having a quiet conversation.

I'm really interested in working with groups. It's a very simple thing for me, and if I'm given the option to work with two people or 10 or 20 people, I'm going to take 10 or 20. I just think there's so much more I can do with that.

It's fun to solve a mystery, but it's even more fun to watch two people kind of dance around a relationship and be playful with each other.

I don't think anyone's interested particularly in watching stuff that's just about two-dimensional characters anymore.

We have a two-party system that I think can work well if people make an effort.

So, for me the town hall meetings are really an opportunity to engage in two-way dialogue with people, and they've been very helpful.

Even though standup seems like one-way conversation, if you're doing it right, it's actually a two-way discussion between the comic and the audience... the audience just happens to be communicating through laughter.

I think it's important to have open lines of communication and I think the best lines of communication are two-way lines.