Quotes About Engagement

My strategy isn't just to get the biggest audience; it's to get a loyal audience.

When you make a movie like 'Straw Dogs,' your goal is to have people's eyes remain glued to the screen. It serves you no purpose to turn away from the screen.

I've always had an idealistic streak about storytelling in that I believe we owe more to audiences than repeatedly bludgeoning them over the head while stealing their lunch money. We owe them inspiration. That's why I'm more interested now in creating new heroes than hooking up jumper cables to old ones.

People are used to streaming and binge-watching. When they see an author they like, if there's only one book, even if they like the book, they're going to forget about you. The way to keep you in their mind and to get you to become a habit for these readers is you have to have a lot of product out there for them to read.

You have to make time for fans, and you really need to appreciate them. You have to remember that if they weren't buying, playing, or streaming your music, you wouldn't be in the charts, and people wouldn't be hearing your music.

We all consume Netflix and other streaming services in different ways. Sometimes, it's a movie you're really going to focus on; other times, it's background noise to something else, where you won't really pay attention.

When you are watching a show on a streaming channel, the effect is immediate. It affects your psyche and the relationship that you share with a character on screen is much deeper and intense.

My streams have always been the best, consisted of the highest production quality... and I'm committed to continuing breaking creative horizons and engaging fans in an authentic manner. Anyone who's not should just get out of the way.

Our system allows you to respond to the information that is important to you. It allows you to sense and be attuned to more streams of information in parallel.

You look out on the street, and everyone has their heads in their phones. Nobody's really looking up at the sky or the buildings and taking the day in. I try to be conscious of it, but everybody falls prey to it.

And, because there was an honesty about all that was going on. It connected with the people in the street.

I am stopped in the street by kids and Harry Potter fans all the time.

I find that the most special thing to me is if you've connected to people in some way: If someone comes up to you on the street and says something to you, and you know it's meant something to them, and it's connected to some project. That, I find, is amazing.

If you love this game, you always want to be out there, not in the sideline dressed in the street clothes. Especially when you know you can help the team.

I like the idea that you can paint something outdoors, and anyone can see it. It's open to anyone, and people have to deal with it. In the gallery, it's the same 150 people on the San Francisco art scene. There's a dynamic on the street that's definitely more interesting.

The interviews have gotten much longer with 'Humans of New York.' When I was first starting, I was just photographing people. And then I went to just kind of including a quote or two. Now when I'm approaching somebody on the street, I'm spending about 30 to 45 minutes with them often.

My musician friends could always practice what they loved doing, but I can't go on a street corner and start reciting a monologue. Acting is very collaborative, and you always need other people with you - mainly an audience.

I've always maintained that if I didn't have the boot and was talking serious things on the street corner, it would be very easy to ignore me.

I get emotionally attached to someone if I talk to them on the street corner for five minutes.

When I'm out there on the streets, I enjoy meeting people and listening to their complaints and critiques. It's something that I take great pleasure in.

People on the streets are ready for hockey.

One of my goals upon becoming Secretary of State was to take diplomacy out of capitals, out of government offices, into the media, into the streets of countries.

I don't put work in an art gallery because the next day I want people to march in the streets.

Forty-five million people hit that button for 'In These Streets.' When you find out you have that kind of popularity, you better use it. It's called responsibility.