Quotes About Studio

When you write on the road, you are restricted to the instruments around you, whereas in the studio, you can plug anything in and try it.

Filming costs so much money, so it's such a nerve-racking process, whereas being in a studio is quite cheap compared to that, so you have more time to work on things until you feel good about them. That makes it easier to explain a certain feeling and be in a vulnerable place while making sure it does what you want it to do.

I don't particularly like recording studios, they tend to be lifeless and without any natural light, so I wanted to record wherever we lived. We just don't want to be bound to a studio to who we'd have to pay untold sums to.

Due to the hectic, non-stop nature of my work, I'm always using my BlackBerry to stay in touch with my studio, wherever I am.

You live in a bubble, generally, when you're touring and recording - you're in confined - in alone space, wherever you are, in the dressing room or in the studio - so sometimes it's hard to grasp that bigger picture of things that are going on.

There's too much insecurity on studio sets, with all the people standing around, whispering.

The first rap I recorded was on Jeezy's 'White Girl' beat. One of my partners invited me to his studio, so I go. I wasn't planning on recording, we were just messing around. And I started recording a song, just a freestyle. Back then, Jeezy was going so hard, that's what everyone was on. That's what me and my partners in the trap would listen to.

I take a lot of pride in my live show and put more energy there than I do in the studio.

I expect people that come to the studio to work to come with the same energy I come with. If I see less than that, I get very strong about, if you want to do this, come with a sense of pride, come with eagerness and anxiety.

I had the honour and the privilege to launch the brand Dodo and Moa together with Amazon Fashion at the Amazon Fashion Studio. The brand is a brainchild of Zashed Fashiontech. It is a new age brand for women with a collection that is contemporary, fun and modern.

If I would characterize my life, I would say that I was a very lucky actor who came into very lucky times, and got to Hollywood, and was put under contract by Warners in the very last days of the studio contract era, and was privileged to go through that time which is gone now.

No one would bring their horse into a studio, because they don't want to bring their prized animals into an environment where they wouldn't be comfortable or where they might panic and hurt themselves.

There is a difference between a great producer and somebody who is a big advocate of your music. Just because you're a big advocate for a band doesn't mean you need to be in the studio with them, and at the same time - we don't need to get into this conversation - you can write a hit, but it might not hit.

When making any record, a producer has a list of things you hope an artist brings to the studio. Songs that are strong even without the bells and whistles.

I spend a lot of time working in the studio as a producer, not just a singer.

I don't know for a fact, but I feel fairly certain that the first person who described a movie as 'character driven' had to have been a producer or studio executive.

I was the only person at Univision who had complete creative control of my own show, by contract. They didn't like that. I was the executive producer; I owned the studio where we taped. I decided who went on my show and who didn't.

In Korea, the director has the final word. If the director makes a decision, that decision is final. In Hollywood, every decision needs to go through the producer, the studio, and sometimes even the main actor. There is a certain procedure that needs to be followed.

As a producer, it's your job to bang on the table and convince studio heads why great movies should be made.

Navigating the studio system has its own challenges, and, as a producer, you want to be astute and clever.

Every time we go into the studio and use a different engineer or producer I try to look, listen and learn their approach. That has helped with the gear I look for to use live and in the studio.

Producers like to record all the drums first, then they do the bass, then all the guitars, so you're constantly moving from one song to another.

In most cases, I think most executive producers and studio executives really do their best to accommodate you. At least, that's been my experience in most cases.

Every time a film comes together, usually the studio executives come up for a day to the set. If you're out of town, they'll fly in or wherever you are - the cast, the director, the producers - all get together and have a big dinner and celebrate the fact that we're about to start shooting.