Quotes About Studio

When I work with Lil Jon, as soon as I come in the studio, he already knows what we're gonna do. He's one of those producers where when you know you've got a session booked with them, you're job is easier because they're probably already going to have an idea or a hook.

The actual producing, mixing, and mastering is hard work, harder than what I do.

I love the studio. I love writing and producing both for us and for other people.

I'll stay in the studio for 12 hours at a time, just producing music and making records. It doesn't feel like 'Oh man I've got a job to do.' It's more like 'Oh man I didn't even realize I've been there this long.'

I've gotten to work with amazing people. I would say usually we get to a point before we get into the studio where there isn't that sense of anxiety or nervousness of who they are because I don't think it would be as productive in the studio if that was the case. But maybe meeting someone like Neil Young for the first time made me anxious.

My profession is called record production.

We have the largest digital design studio in the world.

No matter what, I'm in a very small club. There are very few women who have directed studio-level commercial films - very few.

I'm really excited that the studio is trying, because when I began my career in the early '90s, late '80s, Disney was not something - though I respected it and liked what they were doing in those years - it's not like I thought I wanted to be a part of that studio right now.

While talking to Wardha, I realized that Disney is actually the surname of the man behind the studio, but one only identifies it with animation. Now I have a new dream. If I can achieve the same level of legend with the Nadiadwala name, that would be awesome.

If I wanted to make big, bombastic, distorted, echo-y, trippy music, the atmospheric stuff, a studio is nice. But it's nice to know that it's not necessary.

When you in the studio you don't need everybody calling your phone telling you about what's going on outside the studio. I don't need those distractions.

I love using lots of different pedals in the studio because you have the time to experiment with sounds. But when you're singing, fronting a rock band, and playing, you don't really want to have to think about a lot of that stuff.

When I'm in the studio, I'm experimenting, trying things on.

When you're playing in front of people, everything is external. It's all going from you out to an audience. When you're in a studio, it's very internalised, it's going from the air through you into this meticulously crafted, layered piece of work.

The driving factor for me is having DC as one company together ourselves. Our ability to work more collaboratively with the whole studio is certainly a benefit.

When you go into the studio, you have to know what you're going in there for. I went into the studio because I had a voice and I wanted to change things, and I don't necessarily mean my bank account. The money is almost a B factor, a side product.

My father was one of the first Tae Kwon Do Masters to come to the states in the '60s. He had one of the first all-African-American fighting teams, and I was basically raised in a karate studio since I was 3. It's part of my blood, competing, and all that stuff was responsible for a lot of me just growing up.

Schaeffer gave me permission to work in the studio with a technician, but I've never worked with him.

It depends who your technician is as to how much fun the recording is.

Actually, because of new technologies, my full studio is on my laptop. And I have a little keyboard in my bag. I can make everything I do come from my laptop. Even when I go to a big studio, all I do is to plug in my laptops. That's they way I do it.

You can alter movie singing so much because you go into the recording studio and, just technology for recording has gotten so good, you can hold out a note and they can combine a note from take 2 and a note from take 8.

The most I ever spent on technology is building a studio - I built one at home in Los Angeles. I can't tell you how much exactly, but the whole process is very expensive.

I'm not a studio rat. I do find sitting around playing the same song 12 times kind of tedious. I like to get in and get out.