Quotes About Studio

The studio work is the nasty, tedious, hard and nerve-wracking part, interrupted by moments of exhilaration. Playing live is the chance to actually have some fun and get on a stage.

I studied arranging and orchestration a number of years ago, so I have a home studio and arrange about three-fourths of my songs on the computer. Since writing orchestration is tedious, I often put an arrangement on the keyboard and let someone better-qualified finish it.

I came from a dance background, so that's what I did my whole teenage years. I was at the dance studio a lot. It just becomes your social scene and part of your life.

As a teenager I had friends who had little music studios in their bedrooms and garages. I'd go and play around; very soon, my hobby became a passion.

That's my boy; me and Webbie been together since we were teenagers. Since I was 15, 17 years old, we been in the studio together. We from different hoods, but we been in the studio together, you know. Basically we like brothers.

Recording 'Tusk' was quite absurd. The studio contract rider for refreshments was like a telephone directory.

No studio in Hollywood wanted 'Cold Mountain.' None. No one wanted 'Ripley,' no one wanted 'The English Patient.' That tells you there isn't really an appetite for ambitious movie-making out there.

All autumn, the chafe and jar of nuclear war; we have talked our extinction to death. I swim like a minnow behind my studio window.

A Hank Cochran song in the studio is spiritual. It's like singing a hymn in a church.

Nella luce delle due ultime lapandine, lo studio era già una sacca nera, mantenuta in vita da due pupille di luce. Quando rimase l'ultima, era un sussurro. La guardavano da lontano, senza avvicinarsi, come per non sporcarla.

One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury

Many artists find that a forced separation from their studio caused by events like sickness, vacation, or a move makes it hard to begin again.

You can alter movie singing so much because you go into the recording studio and, just technology for recording has gotten so good, you can hold out a note and they can combine a note from take 2 and a note from take 8.

M.G.M. never really gave me a break. They loaned me out for leading roles but cast me in programme pictures.

If you work in the studio system in America, they've almost got to the point where a computer programme could write scripts. Effectively, they hire and fire enough writers until they get something generic.

I really don't chase songs. I get in the studio, I know what I gotta do; I'm pretty much programmed to do it.

Typically, if you buy a studio with a library, their library is pretty well licensed out many years in advance, so you are not really gaining access to the programming in that way.

I don't know much about making films or TV programs, but what's cool about being in the studio is that you have more time.

I was fortunate to write pretty much a year out of film school and start making movies in the Hollywood studio system. But with each progressive film it became more frustrating not being able to speak and say things I wanted to say.

I love the opportunity to do lots of different kinds of projects - independent films and big studio epics as well. I'd love to be able to do a mixture.

In 1995, I had been chosen to make a short presentation about the state of the TV business at a company retreat in Santa Barbara. At the time, I felt we were not real competitors in network television. The studio wasn't prolific; we didn't have much of a brand.

We'll see if we ever do another Ministry gig again or not. I'm not saying yes or no yet. All I'm saying is I know there's no new Ministry studio CDs coming ever again. I promise.

On our studio album 'Fly From Here' in 2011, we spent a year and a half promoting that around the world.

I think, in big-budget movies where everything seems so poured over and restricted and the studio wants to examine every frame to make sure it's vetted properly, you lose a little bit of playfulness.