Quotes About Studio

sounded to Eve like an excuse for Garvey to suck up to celebrities and studio executives, who were likely to be among the owners of the expensive sports car. "Don't forget to take selfies," Eve said. Garvey flipped her off and walked out with Biddle.

Around eighteen, Dinah suddenly became interested in acting. I worked with her on This Property Is Condemned, a Tennessee Williams one-act, for her audition for the Actors Studio. Then came Marty Maraschino in Grease, then a running part in Soap, a hot TV series. Then the lead in Neil Simon's play I Ought to Be in Pictures. She was accepted by the Studio and quickly hired by Robert Redford as the girl in Ordinary People who commits suicide.

I've always thought there was this underlying thing in Paul's "Get Back." When we were in the studio recording it, every time he sang the line "Get back to where you once belonged," he'd look at Yoko.

I can't leave the studio until everything is as it should be. And I can't put a record out unless I am completely happy with it. I never want to be at a signing and hear my album playing and think, 'Oh no, I could have done that top note better.'

Unlike motor sport, I didn't get into music for the live performances. I like writing and studio work and seeing how a song can come to life.

There's this expectation of glamour. Unlike men who can wear suits and nonchalantly stroll on in a flat loafer, I've got to run across the studio floor live in a high heel and a tight frock.

Usually when I start a new project there's a fear of the unknown; maybe it's a band I've never been in the studio with before. People are so different. It's almost like you need to go through the process, discover and unlock what it is that makes that band that band. And a lot of times they don't know it.

I'm proudest of the fact that I've been able to make a few movies in the studio system that are slightly unorthodox and personal. But it's never quite as easy as you dream that it could be.

I thought it would be a lot of fun and I wasn't going to do the movie without Johnny. The studio suggested a couple people, and I'd never met Johnny, but I thought we'd be a perfect team for this movie because we're both a little bit unpredictable.

Quavo's energy in the studio in unreal.

During the Hollywood studio system, they looked for people who were unusual. The stars had peculiarities.

Often, equipment can as easily function as a security blanket for musicians unwilling or unable to risk anything personal in the studio. Whether one catches the feeling on a record is a subjective matter. How can you be sure? The machinery can hold out the promise of at least mechanical perfection.

My name is not unfamiliar to anybody in the dance community. I'm talking the upper echelon of dance studios.

The upside to smoking is that you get to be social. I was looking for a light when I bumped into Ben Harper's manager. A couple of days later, Ben and I were in the studio.

Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.

I like making work in my studio day in and day out, but I'm not so interested in the business side

With studio work, I'm always the bottom man on the totem pole.

I would have been content to just do studio work, making it on my own never really entered my mind.

When I went to work in a studio, I took my pride and made a nice little ball of it and threw it right out the window.

Generalised anger and frustration is something that gets you in the studio, and gets you to work - though it's not necessarily evident in anything that's finished.

Develop a mailing list... anyone who comes through your studio or meets you at art shows or anywhere. It's the power of permission-based marketing. Email your latest work to the list, every month.

The main thing that excites me and makes me want to get out of bed is the thought of being able to go into my studio to work on music.

Sometimes I think of myself as a little bee. I go from one area of the studio to another and gather pollen and sort of stimulate everybody. I guess that's the job I do.

And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.