Quotes About Studio

The brains of members of the Press departments of motion-picture studios resemble soup at a cheap restaurant. It is wiser not to stir them.

The sculptor Pete Garcia is found in his studio Ã¢â'¬Â¦ and in his bedroom Ã¢â'¬Â¦ and in the yard beyond.

I was put under contract. A major studio. I got nominated for an Academy Award. Isn't that ridiculous? I mean, at the age of 18!

It's nice because success has allowed me to have a blast on stage, to be in the studio with amazing people, but I find it all a bit bizarre.

So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.

There's this index that tallies up how much your movies have made, and if they haven't grossed a certain amount, then you're not bankable. I know I'm not Will Smith but, you know, my ranking's pretty low. The only studio picture I've done is 'Zodiac ' and that didn't perform that well.

When the chosen ones arrived at the studio, they were confronted with a sign instructing them to "please check your egos at the door." They were also met by an impish Stevie Wonder, informing them that if the song wasn't up to scratch nor down in one take, he and fellow blind artist Ray Charles would be driving them all home.

All that we make and do is shaped by the communities and traditions that contain us, not to mention by money, power, politics, and luck. And even should the artist or scientist think she has extracted herself from the world to stand alone in the studio, a tremendous array of faculties and mind-states may well attend her creativity.

All that we make and do is shaped by the communities and traditions that contain us, not to mention by money, power, politics, and luck. And even should the artist or scientist think she as extracted herself from the world to stand alone in the studio, a tremendous array of faculties and mind-states may well attend her creativity.

I have a little studio in Chinatown, and I sometimes go there and rearrange my brushes. But I would have to stop acting altogether in order to become a painter. At the moment, I'm still interested and active as an actor and director. Besides, I rather think acting and painting are all part of the same creative urge.

I used to always be in Atlanta, chilling. I didn't really have as much to do. So I would gamble as a hobby. Now I'd rather go into the studio and try to make me a hit.

I used to record songs, like, play the beat from one phone and have another phone recording me and just rap. Moving from that to a studio was like, 'Damn, I never knew I could sound like this.' It was just magic.

I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted.

I made my entire first tape using Beats headphones - the studio headphones and halfway through the second one, because I finally started making a home studio. But I record and make all my beats with the Beats headphones.

It's big production. It's huge. It's using studio technology to your benefit. You don't go in and play live and then just take the tapes and get them mastered. You have to create.

My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful.

Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece.

Every Vacation movie didn't just make the studio money. They each made the studio a lot of money.

I live in that studio. I make music when they party. I make music when they go on romantic trips and on vacations. I'm working. That's what I do. This really has all my attention all the time.

The recollection of how, when and where it all happened became vague as the lingering strains hung in the rafters of the studio. I wanted to shout back at it, Maybe I didn't write you, but I found you.

When I sit down to write a song, it's a kind of improvisation, but I formalize it a bit to get it into the studio, and when I step up to a microphone, I have a vague idea of what I'm about to do.

We're teaming up with a major Hollywood studio, and we're making a movie called 'Copper.' It's set on Mars in the 24th century. By then we've got 27 billion people in the world, copper is the world's most valuable metal because everything runs on electricity, and there's no more burning of hydrocarbons.

Leno said the rainy weather in California couldn't have come at a worse possible time. Today was the day NBC was supposed to burn down the studio for the insurance money. Jan. 21, 2010

I looked at people like Lil Wayne. I would go to the studio and I would observe Wayne, and I would literally pray. I would say 'God, give me his work ethic'.