Quotes About Studio

You may wonder which came first: the skill or the hard work. But that's a moot point. The Zen master cleans his own studio. So should you.

Most architects work in ­studios largely divorced from academia, as if ideas, criticism and ­historical ­research were irrelevant.

Even up here on Vancouver on the weekends, I go work out in a studio space.

I'm vulnerable to criticism. Any artist is, because you work alone in your studio and, until recently, critics were the only way you'd get any feedback.

The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.

So when bands work with me and it's 10 o'clock, usually you'd have to be getting out of the studio, we could go on until 2 in the morning cause it's my place!

It's very frustrating making a picture in Paris. We work hard all day at the studio to get a love scene just right. Then, on my way home, I see couples on every street corner doing it better.

Sometimes I get ideas for lyrics in anyplace, but I work a lot in the studio. So I collect little bits of lyrics. I go through the box of lyrics I have and see if something fits.

I've found from years of trial that the only way I can work is to make sketches in pencil from Nature, purely as reference material for future use in the studio.

I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.

I much prefer the road. My thing is getting live in front of people. There is a sterile environment to a studio that doesn't make me let go.

I have a dog named Steve that lives at the studio.

With The Allman Brothers, we made two studio records that were OK, but the first really great album was the live one, 'At Fillmore East.' We were a live band, and it's one of the reasons we were able to stick around for 45 years.

When you were a stock player, you worked on anything that was shooting on the lot in any capacity.

The Walt Disney Animation studio is the studio that Walt Disney started himself in 1923, and it's never stopped and never closed its doors and never stopped making animation, and it keeps going as kind of the heart and soul of the company.

I don't like getting up in the morning, getting in a car, driving on a freeway, and stopping at a gate where two guards are standing there, then walk into a studio that looks like a bunch of airplane hangars.

My photos would not be as high quality without my dad. He's a contractor, and together we converted an area in our basement into a makeup studio with a desk, a mirror lined with dimmable lights, and storage areas.

When we cut 'Strangers In The Night,' we did the whole song in two takes.

I'm loving being part of the 'Saturday Night Takeaway' family. I'm in my element chatting to random strangers and taking them back to the studio - in a helicopter of all things.

I think if you went to a studio and pitched the first 'Insidious,' it never would have gotten made because it was so offbeat.

'Glee Project' and 'Glee' have the same spirit, but they're both harder in their own ways. With 'Glee Project,' there's more pressure because you're being judged in everything you do. When you film 'Glee,' you go to the studio and have an off day, and it's OK - you're still going to be there; you take as many chances as you need.

I was a studio engineer out in L.A. for about six or seven years, and I played sideman for different people, and played in bar bands. I was an old man of 32 when I made my first album.

A lot of people get a high from being onstage. I found ways to enjoy it. But I get it from being in the studio.

The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst